When their busy schedules align, guitarist Peter Bernstein, keyboard player Larry Goldings and drummer Bill Stewart play together as a trio. Their format isn't earth-shatteringly new — largely standards, a few original pieces, classic sonorities in which Hammond B3 organ meets electric guitar — but after nearly 25 years as a band, their rapport is. Theirs isn't an organ trio of greasy funk, but their cleaner language is plenty tasteful, overlaying smart choices atop plenty of swing.
Vancouver musician Jay Arner has played in all kinds of bands over the years, be they pop, punk or otherwise. When it came time to make his new self-titled record, he decided to take the DIY route: Arner moved into his studio and played everything on the album himself.
The result is a concise set of songs that highlight the multi-instrumentalist's arsenal of capabilities. Hear a pair of tracks from the album and download this week's World Cafe: Next podcast.
Monday is the 34th anniversary of the 1979 storming of the American Embassy in Tehran, when Iranian militants took 66 hostages and held them for more than a year. U.S.-Iranian relations have been contentious ever since, but recent events have stirred hopes for progress.
Iranian voters overwhelmingly chose a more moderate president in June, and American and Iranian mediators are meeting to try to resolve disputes about Iran's nuclear program.
Some writers you read and move on, but every now and then you read one whose work knocks you back against the wall. This happened to me with the great Italian novelist Elena Ferrante.
I first encountered her through her scalding 2002 novel, The Days Of Abandonment, whose narrator, Olga, may be the scariest jilted wife since Medea. What makes Olga scary is not what she does, but what she thinks and feels, and her ferocious precision in describing everything from lousy sexual encounters to her not-altogether-maternal feelings about her children.
Originally published on Mon November 4, 2013 3:50 pm
Catherine Chung went from mathematics to writing, though she says words were always her first love. She was named one of Granta's New Voices in 2010, and her first novel, Forgotten Country, received honorable mention for a PEN/Hemingway Award last year.
In Forgotten Country, Chung writes of a family with a curse that stretches back generations — from their time in Korea to their life in America. Since the Japanese occupation of Korea, each generation of the family has lost a daughter.