NPR's Bob Mondello and Susan Stamberg read excerpts of two of the best submissions for Round 11 of our short story contest. They read Litter by Kalad Hovatter of Orange, Calif., and The Shirt by Jennifer Anderson of Shorewood, Wis. You can read their full stories below and find other stories on our Three-Minute Fiction page or on Facebook.
And if you're just joining us, this is WEEKENDS on ALL THINGS CONSIDERED from NPR News. I'm Wade Goodwyn.
Jean Stapleton will always be known as Edith Bunker, the subservient housewife with the high-pitched voice on the TV show "All in the Family." The character was a saint compared to the bigoted, close-minded Archie Bunker played by Carroll O'Connor. People who knew her said Stapleton put a lot of herself into the character of Edith. Jean Stapleton passed away on Friday. Kyle Norris has this remembrance.
Arthur Geisert is the author of more than two dozen children's picture books. Three of his titles have won The New York Times Best Illustrated Children's Book Award. He's most famous for his intricate illustrations of the Midwest — sprawling prairie, family farms and his signature mischievous pigs.
Vincent van Gogh's<em> Portrait of Postman Roulin</em> is part of the collection in the city-owned Detroit Institute of Arts. The financially troubled city of Detroit is eyeing the sale of its prized artworks.
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Brandeis University considered selling off the collection of its Rose Art Museum in 2009 but later decided against the move.
Credit Essdras M. Suarez / Boston Globe via Getty Images
Detroit doesn't have to wait for Antiques Roadshow to come to town to know the city owns priceless treasures. The city-owned Detroit Institute of Arts holds works by van Gogh, Matisse, Renoir and other artists that could bring in tens of millions of dollars each.
And they just might sell. With the city more than $15 billion in debt, Kevyn Orr, the state-appointed emergency manager trying to straighten out Detroit's finances, has asked the museum to inventory its works with an eye toward potentially selling them off.
Code-switching can be far from empowering. When I was 2 1/2, I was adopted from Korea. I went from one culture to another, one language to another. For me, code-switching wasn't a freedom, or a choice. It was a one-way street.