The easiest way to put divorce onscreen is to slap a couple of clearly mismatched souls up there and proceed to show them bickering over money, property, the kids, the family dog. Celeste and Jesse Forever takes the harder and more honorable way, giving us two people who genuinely care for each other, who are perhaps perfect for each other in all the ways you can list on paper, and who still fall victim to some essential loneliness that seems to be hardwired into their union.
The West Nile virus is back, and it's looking like it could be particularly bad this year. As as result, federal health officials are warning people to protect themselves against the mosquito-borne infection.
The West Nile virus first showed up in the U.S. in 1999 and quickly spread from coast to coast, raising widespread alarm. Some have argued that red-breasted robins play a key role in the spread of the virus.
Gabby Douglas, the 16-year-old gymnast from Virginia Beach, Va., won another gold medal Thursday. The first was won with her team earlier this week. She was the only member of the team to perform in all four rotations. So, why are some black women obsessed with her hair? Writer Monique Fields has this perspective.
Never mind how she flies like a raven on the balance beam. Or flutters across the floor. Or soars on vault. Or swings on the uneven bars.
Director Anthony Baxter (left) with Michael Forbes, whose property borders Donald Trump's contentious luxury golf resort. The fight over the resort is the focus of Baxter's documentary You've Been Trumped.
Originally published on Thu August 2, 2012 6:53 pm
In the red corner, a leering Donald Trump, brandishing plans to build a luxury golf resort on one of Britain's last remaining wilderness areas. In the blue, a small group of dignified local homeowners trying to stop him. The setup is a documentary filmmaker's dream, and Anthony Baxter's You've Been Trumped fully exploits the conflict's inherent gifts — including Mr. Trump's incautious mouth — with the kind of gleeful umbrage popularized by Michael Moore and eaten up by audiences.
Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.
Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)
Originally published on Thu August 2, 2012 6:05 pm
Sushi: The Global Catch, a shrewdly constructed documentary on the challenges of the modern sushi industry, functions like a densely packed information delivery system — heavy on content, spare on style. Yet it offers a few striking images that speak for themselves: a commercial fishing vessel netting thousands of pounds of bluefin tuna, buyers for clients all over the world inspecting hundreds of tuna laid out in Tokyo's Tsukiji Market, a statue in the small fishing town of Oma depicting a large bluefin rising from the waves and, opposite, a pair of fists advancing to meet it.
For all the glum punditry about our brave new world of connected disconnection, there are endless possibilities for free play — though you'd never know it from the sorry crew of malcontents in 360, an ambitious post-millennial take on Arthur Schnitzler's La Ronde.
In May, JazzSet host Dee Dee Bridgewater emceed three nights of concerts held at the Kennedy Center's Terrace Theater as part of the Mary Lou Williams Women in Jazz Festival in Washington, D.C. Chihiro Yamanaka and Jane Bunnett opened the first night; they come from Japan and Canada, respectively, and each has a compelling story.
South African playwright, actor and director Athol Fugard describes the time Nelson Mandela was released from prison in 1990 as "a period of euphoria that was the most extraordinary experience of my life."
He says he was also convinced he would be the country's "first literary redundancy."
"My life had been defined by the apartheid years," he tells Michel Martin, host of NPR's Tell Me More. "Now we were going into an era of democracy ... and I believed that I didn't really have a function as a useful artist in that anymore."