In the balcony at Carnegie Hall, audience members give violinist Leonidas Kavakos and the Philadelphia Orchestra a standing ovation for their performance of the Violin Concerto No. 2 by Karol Szymanowski.
In the Latin music scene, there's always an innate pairing of the musical styles bomba and plena as one genre, but the two Afro-Puerto Rican genres are quite distinct. In this, the 27th segment of Latin Roots, Aaron Levinson discusses the birth of bomba and plena, as well as the different musical and rhythmic paths the genres have taken.
There isn't much to say about Struck by Lightning, except that it's one of those interchangeable teen movies that lands in theaters in early January, the morgue for films nobody knows what to do with. That it was released at all is likely due to the clout of Chris Colfer, who plays Kurt on Glee and who wrote the screenplay, along with a companion young adult novel, as a vehicle for what appears to be his own blossoming savior complex.
If Tolstoy was right about every unhappy family being unhappy in its own way, the cinema of domestic dysfunction will likely never die. But it has gotten awfully droopy, mired in familiar plotting, quasi-wise psychobabble, or — in the case of so many comedies — a knowing prankishness (I'm looking at you, Judd Apatow) that wearies the soul.
During The Baytown Outlaws prologue — a bloody massacre scene that doubles as a credit sequence — director Barry Battles interrupts the carnage with comic-book-style panels. It's a gambit he uses again later, and an appropriate one. This Deep South odyssey is a pulp fantasy and knows it.