Wes Harris, founder of the Original North Phoenix Tea Party, has been a registered Democrat, independent and now Republican. He says that while Tea Party activism had dropped off over the past two years, issues like health care and immigration are starting to draw people back.
Maricopa County, Ariz., where 3 out of 5 Republicans in the state live, has become a hotbed of Tea Party activism.
That's where the head of the Original North Phoenix Tea Party lives. His name is Wesley Harris, and he used to manufacture precision rifle barrels. These days, his son runs the business, while Harris spends most of his time as a full-time Tea Party activist.
Al Arabiya is calling it another "massacre." Quoting the opposition, they report that "scores of dead bodies were scattered in houses and in farms in al-Tremsa, while more than 150 dead bodies have been piled up in the al-Tremsa mosque."
Jewish settlers in the West Bank throw stones during clashes with Palestinians near the city of Nablus on May 19. A new report says violence by settlers directed at West Bank Palestinians is up sharply over the past three years.
Farming is the mainstay of the Palestinian communities around the West Bank village of Yanoun. Animals graze the land, and Palestinians make their living by harvesting citrus fruits and olives.
Last Saturday, Palestinians say, a group of Jewish settlers killed some of the sheep belonging to the Bani Jabr family. Palestinians say its part of a regular pattern of harassment in the area by settlers.
I rarely feel nervous before in-studio performances, but the June visit to KEXP by Will Oldham, a.k.a. Bonnie 'Prince' Billy, was an exception. Since emerging in his various "Palace" incarnations in the early 1990s, Oldham has been responsible for a dauntingly huge, rich, influential catalog of music. Yet Oldham acted so utterly at-home in our studio that I immediately relaxed and got lost in his playing.
"A fiasco with a great first half" is what I called Kenneth Lonergan's Margaret when it was dumped in one New York theater last fall, five years after it was shot, amid a legal battle between Lonergan and a producer.
Gabrielle de Polignac (Virginie Ledoyen, left) is the close, possibly intimate, friend of Marie Antoinette (Diane Kruger) — and the two are the bane of the approaching revolutionaries in Farewell, My Queen.
In 1995's A Single Girl, probably his best known film in the U.S., Benoit Jacquot tracks a young chambermaid through one workday as she ponders a big decision. The French writer-director's smart and ultimately wrenching Farewell, My Queen takes a similar course — only this time the protagonist toils for Queen Marie Antoinette, and the story opens on July 14, 1789.
Frederic Bourdin, played here by Adam O'Brian in a reenactment, is the subject of The Imposter, a movie about how the French-born Bourdin pretended to be missing Texan Nicholas Barclay, a boy six years younger.
On June 13, 1994, 13-year-old Nicholas Barclay went missing from his home outside San Antonio, Texas.
Nearly four years later, his family received a phone call from Linares, Spain, informing them that their son had been found, scared and confused; the U.S. Embassy made arrangements for the Barclays to reunite with him and bring him back home.
And that's exactly what happened: Nicholas' sister hopped on a plane, drove to the orphanage and embraced a reticent teenager who'd been changed profoundly by age and some unknown, unspeakable trauma.
In Red Lights, Simon Silver (Robert De Niro) is a psychic who comes out of retirement and poses a threat to two academics, Margaret Matheson (Sigourney Weaver) and Tom Buckley (Cillian Murphy), who are wary of all claims to the supernatural.
Of all the hustlers who present cheap tricks as "magic," few are more shameless than filmmakers. Under the cover of "It's only a movie," directors and screenwriters exhort the gullible to believe in ghosts, telekinesis, extraterrestrials and such.
In Union Square, Jenny (Tammy Blanchard, left) gets a surprise visit from her estranged sister, Lucy (Mira Sorvino), an emotional train wreck whose outsize personality clashes with Jenny's carefully constructed self-image.
The Mira Sorvino who won an Oscar for her full-bodied twist on the hooker-with-a-heart-of-gold type in Woody Allen's Mighty Aphrodite resurfaces in Union Square, a micro-budget indie that calls for a similar brand of New York brassiness.