The countdown is on to a new year — and the fiscal changes that are on the other side of midnight. But what else is on the cards economically for 2013, both here and overseas? Guest host Celeste Headlee puts the question to the Wall Street Journal's Sudeep Reddy.
If the thought of watching the ball drop in Times Square again is already making you yawn, consider perking your New Year's Eve celebration with this tradition from Spain: As midnight nears on Nochevieja, or "old night," the last day of the year, the entire country gathers in front of television screens or in town squares, clutching a small bowl of green grapes and wearing red underwear. More on the underwear later.
This show was originally broadcast on May 11, 2012.
Friday, May 11, 2012 marked the 25th anniversary of the day Fresh Air became a daily national NPR program. Before that, the show was broadcast only on WHYY in Philadelphia. How long ago was May 11, 1987? On Fresh Air's first edition, TV critic David Bianculli reviewed the finale of the TV series Hill Street Blues.
I'm Michel Martin, and this is TELL ME MORE, from NPR News. Coming up: Why did the Oscar-winning filmmaker of "The Hobbit" devote his time, money and moviemaking skills to an entirely different project about a long-ago crime in Arkansas? We'll speak with Peter Jackson and one of the men featured in a new documentary "West of Memphis." That's in just a few minutes.
I'm Michel Martin and this is TELL ME MORE from NPR News. Now I would like to tell you about a special performer, someone many people have called one of a kind. She is a native Washingtonian. She fuses pop, R&B and hip-hop and she does all that while accompanying herself on an instrument you don't see very often in contemporary music - her harp.
(SOUNDBITE OF SONG, "THERE'S NO ONE ELSE LIKE YOU")
Miguel turned up in the NPR Music offices early one morning, after playing a show late the night before. He appeared light and calm, and betrayed no hint that he was nervous about stripping his highly produced hits down to their bones. Accompanied by just his guitarist, Dru DeCaro, Miguel eschewed flash and went big on small gestures — ingratiating ad libs, only one full spin and voice control that kept the songs close to his chest but emotive enough to translate to the back of the room.