The ideological gulf between gun owners and non-gun owners is a wide one — made all the more obvious by the ongoing debate over what, if any, gun control measures should be adopted in the U.S.
Sometimes, the debate feels like people are coming from different worlds, even for people within the same family. And while Americans are often willing to discuss their own views, it's rarer to hear conversations between people who own and love guns and those who do not.
Originally published on Thu March 21, 2013 5:52 pm
Twenty years after multiple blasts ripped through India's commercial capital, Mumbai, killing more than 200 people, the country's Supreme Court has upheld the conviction of a leading Bollywood actor for his role in the attacks.
High-strung Princeton University admissions counselor Portia (Tina Fey) finds old love — and a surrendered child — when she visits the Vermont prep school where old schoolmate John (Paul Rudd) is a teacher.
Credit David Lee / Focus Features
Portia's mother, Susannah (Lily Tomlin), is an ardent feminist and seems to have ignored her struggling daughter for years.
Half an hour into Paul Weitz's new comedy, Admission, it dawned on me that I was watching an Americanized About a Boy -- which admittedly was also directed by Weitz. Both movies are adapted from other people's novels; both cobble together families out of the waifs and strays of modern life.
But where About a Boy was both funny and wise about urban alienation, Admission settles for skin deep.
Brothers Rash and Mo (James Floyd and Fady Elsayed) live in the rough working-class London neighborhood of Hackney — but which sibling is the titular designee in <em>My Brother the Devil</em> gets harder and harder to determine as the film goes on.
Shot entirely in Hackney — a mostly ungentrified London borough — My Brother the Devil has a strong odor of authenticity. The main characters are of Egyptian origin, but their friends include people rooted in West Africa and the Caribbean. All are linked by poverty, alienation and a gangsta worldview popularized by American movies and hip-hop.
For the Bronx graffiti artists of Gimme the Loot, Adam Leon's sweet, vibrant debut feature, "Bombing the Apple" is the holy grail of tagging achievements.
"The Apple" in question is the protuberance that emerges from behind the center-right wall in Shea Stadium — they refuse to acknowledge the corporate name Citi Field — every time a New York Mets player hits a home run.
The girls of <em>Spring Breakers </em>(from left, Ashley Benson, Vanessa Hudgens, Rachel Korine and Selena Gomez) live in the kind of fluorescent world where skimpy bathing suits fit within court appearance dress codes.
Wanna-be gangsta rapper and drug lord Alien (James Franco) takes the vacationing college students under his wing after they get arrested during their spring break.
In the '70s and even into the '80s, exploitation movies used to come to us naked and innocent, rarely pretending to be anything more than what they were. Now, pictures intent on delivering cheap thrills tend to arrive dressed in art-house costumes, much like the ones Harmony Korine's killer college girls wear in his arch little sociological study, Spring Breakers.
Adhyl Polanco, an eight-year police veteran (shown with lawyer Jonathan Moore, right), testified that if certain quotas were not met, an officer could be denied days off and overtime, and be given a poor evaluation.
Police officers testifying at a federal trial challenging New York City's stop-and-frisk policy say they were ordered to increase their number of arrests, summons and 250s — the code for stop, question and frisk.
Some 5 million street stops of mostly black and Latino men have taken place in the city in the last decade.