It's that time of year again — the leaves have fallen, the dark comes early, the air brings with it a certain chill — and I've been piling up books on my reading table, books I've culled from the offerings of the past few months, which because of their essential lyric beauty and power stand as special gifts for you and yours.
Yesterday, in the Bronx, Chris Veres took his grandfather to see Dr. Bob Murrow. He was worried about his grandfather's heart. Dr. Murrow talked to the family and ordered a cardiogram, which came back normal.
It was a pretty routine visit. But what happens next for the doctor — getting paid by Medicare, the government-run health insurance program for the elderly — is suddenly sort of a big deal.
Keith Gresham, 65, lines up four medications he takes at his home in Detroit in 2011. The self-employed painter was without health insurance for about a decade and was happy to finally turn 65 last year so he could qualify for Medicare.
Whenever the discussion turns to saving money in Medicare, the idea of raising the eligibility age often comes up.
"I don't think you can look at entitlement reform without adjusting the age for retirement," Sen. Lindsey Graham, R-S.C., said on ABC's This Week last Sunday. "Let it float up another year or so over the next 30 years, adjust Medicare from 65 to 67."
Once upon a time when a car company introduced a new car, it was a new new car.
But at this year's L.A. Auto Show, you won't see any revolutionary new rides — at least not on the outside. You'll find the same sameness in your grocery store parking lot. A lot of cars look alike. Why is that?
"What they're relying on to distinguish these cars from one another is not so much the mechanical pieces of them or the design," says Brian Moody of Autotrader.com. "They're selling sort of a lifestyle or an experience or a philosophy."
Originally published on Thu November 29, 2012 8:54 pm
Shaheen Dhada is an unlikely looking protagonist in the battle under way in India to protect free speech from government restrictions in the new media age.
Slight and soft-spoken, Dhada perches on the edge of her bed in a purple-walled room that has been her own for the past 20 years. Outside, police officers are posted for her protection in the town of Palghar, 2 1/2 hours outside Mumbai.
Leslie Caron starred in a 1953 production of La Belle au Bois Dormant, or Sleeping Beauty, choreographed by Roland Petit. Caron trained with the Conservatoire de Paris before joining Petit's company, Les Ballets des Champs-Elysées.
In the 1950s, the moviegoing world fell in love with a young French ballerina and actress named Leslie Caron. She brightened the silver screen in musical films like 1958's Gigi, where she played a young courtesan-in-training who befriends a rich, handsome suitor in 1900s Paris.
Originally published on Thu December 6, 2012 11:28 am
A saxophonist, a pianist and a bass player walk into a bar. But the bar happens to be one of the world's preeminent jazz clubs, where they're regularly sighted on stage. And they're working as a new collective band: no drummer, no hierarchy. So much for that joke.