There are two significant developments in the search for the Lord's Resistance Army chief Joseph Kony to tell you about today: Uganda announced it was suspending its search for Kony, but at the same time, the United States announced it was offering a $5 million reward for information that leads to his capture.
Originally published on Tue November 12, 2013 9:06 am
The Baltimore duo Matmos crafts a unique brand of experimental pop music. Drew Daniel and Martin Schmidt use abstract instrumentation like elk whistles, balloons and bowls of water to create their rich sound, which makes for a performance unlike any other we've seen on Morning Becomes Eclectic. Matmos recently joined us to perform songs from its latest album, The Marriage of True Minds.
And now the latest in our series, Muses and Metaphor. We are celebrating National Poetry Month by hearing your poetic tweets. You have already started sending us poems that are 140 characters or less. Yesterday, we kicked off this series with author, performer and our series curator, Holly Bass.
This is TELL ME MORE from NPR News. I'm Michel Martin. Coming up, the New York African Film Festival is getting under way. The festival is in its 20th year now, so we're going to talk about the stories being told by a new generation of African filmmakers. That's coming up.
Try to put him in a box and he'll find his way out. Still working at nearly 85 years old, William Klein has gone rogue in at least four different fields: abstract painting, photography, filmmaking and commercial copy writing.
Klein now lives in Paris but I caught up with him in New York City — the place where he was born, but no longer has much affinity for. He's just here to promote a new book, William Klein ABC.
When I ask him what he thinks about the city, he says:
In 1846, Edgar Allan Poe wrote a famous essay called "The Philosophy of Composition," in which he sounds like an interior decorator. I say that because in the essay, Poe insists that all good writing must strive for what he calls "unity of effect." For Poe, it was important that everything in his short stories — characters, setting, narration — add up to one big "color-me-terrified" impact.