In 1972, Motown legend Marvin Gaye composed the soundtrack for the film, Trouble Man. Many critics say it was one of his finest musical achievements. To mark the film's 40th anniversary, Universal Music is releasing a special edition. Guest host Celeste Headlee speaks with saxophonist Trevor Lawrence and director Cameron Crowe.
An eclectic mix of music of the harp from the very beginnings of written music to pieces by contemporary composers. Harps have been incorporated into the musics of surprisingly diverse countries. While the music of Ireland is closely associated with the harp, it can also be found in countries such as Mexico, Paraguay, Egypt, Finland and even Far East countries such as Burma, China and Japan. Airs Mondays at noon and Sundays at midnight.
This is TELL ME MORE from NPR News. I'm Celeste Headlee. Michel Martin is away. Coming up, the fiscal cliff is seen as a serious threat to the nation's financial health but for federal workers the impact could be even more immediate and devastating. We'll take a closer look at that in a moment.
After the president's re-election, a slew of racist comments appeared on Twitter and Facebook. Guest host Celeste Headlee discusses some of the legal and privacy issues raised when people vent online. She speaks with Rey Junco of Harvard's Berkman Center for Internet and Society and The Root's Political Correspondent Keli Goff.
This is TELL ME MORE from NPR News. I'm Celeste Headlee. Michel Martin is away. Coming up, the reelection of President Obama triggered a huge amount of racism on social media, particularly on Twitter. We'll talk about the psychology behind those tweets.
Freetown Radio is a free form, mixed bag of sounds showcasing music that is often neglected on commercial radio. Host Roger Kash exposes the intricate and subtle connections linking all genres of music from the dawn of recorded music early in the 20th Century to the so called "modern" sounds of today. Each week Roger deals with a specific theme and explores connections that transcend the boundaries of genre, exposing classifications as just marketing tools that record companies invent to sell records. Freetown Radio strives to be the epitome of non-commercial radio.