And finally this hour, it's time for a literary take on one of our top stories today. Reporters step aside. Spin doctors drop those talking points. We've asked two writers to reflect on last night's debate in poetry. One from the right and one from the left. This is still politics, after all. First up, conservative commentator Mark Steyn, author of the book, "After America: Get Ready for Armageddon." He was inspired by the fact that last night's debate coincided with the president's 20th wedding anniversary.
From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.
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And I'm Melissa Block. Today, a long legal battle came to an end. On one side, Google; on the other, book publishers. The two have reached an agreement to resolve a lawsuit that's dragged on for seven years. But this does not end Google's legal trouble, as it tries to digitize the world's books. An even more important lawsuit remains unresolved - with thousands of authors of those books that Google has scanned. NPR's Laura Sydell reports.
Pakistani pop singer Shehzad Roy (right) sings for teenage prisoners at a prison in Karachi, Pakistan, in 2008. Known originally for fluffy pop songs, Roy's music has taken a harder, more political edge, protesting injustice in Pakistan.
The words "florid" and "inert" are not quite antonyms, but it would nonetheless seem impossible for those two adjectives to apply to the same thing. And yet here comes The Paperboy, a swamp noir so spectacularly incompetent that even the ripest pulp attractions are left to rot in the sun, flies buzzing lazily around them.
Originally published on Thu October 4, 2012 5:22 pm
Dang if Home for the Holidays season hasn't rolled around again — that jolly time of year when screenwriters dust off childhood memories of mildly distressed families and distress them further for our sentimental education. Yet if it seems a little early-autumn yet for that sort of thing, please welcome a surprisingly superior specimen of the genre, courtesy of the best indie ensemble money can buy.
Every filmmaker has the right, of course, to remake his own film. And what filmmaker wouldn't relish the chance to redo something he felt he didn't get quite right the first time around, either for lack of funds or for lack of support from a studio?
Drug abuse is primarily a medical problem, not a crime against society. American anti-drug policy is a means of social control that's rooted in racial and ethnic prejudice. The country's incarceration industry has become a self-sustaining force, predicated on economics rather than justice.
The Swiss canton of Vallais isn't exactly South Central, but it does have a crime problem: His name is Simon, and he seems to have found the perfect racket. Sister's 12-year-old protagonist (Kacey Mottet Klein) steals skis, gear and clothing at an upscale mountain resort that's just a short tram ride above his bleak flatland apartment.
Not only is the ski lodge convenient, but it's frequented by people who are too rich to sweat the loss of their stuff. ("They'll just buy a new one," Simon explains to one of the townies who buy his purloined goods.)
Even though he has the face and build of a leonine Celtic warrior, there's also something gentle and mouselike about Liam Neeson. That's what makes him such an unlikely and invigorating action hero, and it's part of what made the 2008 thriller Taken so disreputably pleasurable: Somehow, watching this sad, sweet galoot zap Albanian bad apples with a jillion volts of electricity just felt so right.