Bruno Dumont just wasn't made for these cinematic times. Rather than cajole and flatter his viewers, the French filmmaker intentionally alienates and mystifies them. Like his five previous movies, the new Hors Satan is stark, strange and uncompromisingly personal. It's also vivid and unforgettable.
As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well.
The story begins in a New York housing project, where scruffy undercover cop Billy Taggart (Mark Wahlberg) has just dispatched a felon. The victim had it coming, it seems, but that doesn't mean the shooting is strictly legit.
The Aurora, Colo., theater where 12 people were killed in a mass shooting last summer reopens Thursday, with a private event for victims' families and first responders.
But some families are giving the event a pass, arguing that the decision to reopen is insensitive. Jessica Watts lives just a few miles from the theater where her cousin, Jonathan Blunk, and 11 others were killed and dozens more wounded.
Original rock and roll lives on KRVS. While searching for records to play on "Big Band Swings", I've also picked up some interesting 1950s tunes---and just as BBS has become BBS and other things, Old Gold starts out as a big mix of musical genres, with an emphasis on rock, roll, rhythm, and my favorite, novelty!
As part of our "Sense of Place" tour of Memphis, we're on to Royal Studio, where Al Green, Ann Peebles and others made some of the 1970s' most important soul music for Hi Records.
Most of that music was produced by the late Willie Mitchell. Here, we've dug up a 2005 interview with Al Green wherein he tells the story of how Mitchell helped him find his voice. We also talk with Mitchell's son, Boo, who grew up at Royal. His dad told him, "Don't turn Royal into a museum when I die." Don't worry; he hasn't.
We couldn't leave Memphis without a taste of the blues from gospel-blues singer and preacher Rev. John Wilkins. He's the son of Rev. Robert Wilkins, who wrote "Prodigal Son," a song famously covered by The Rolling Stones on Beggars Banquet.
Here, we've got a performance by Rev. John Wilkins with his band — and his daughters on backing vocals. During our interview, Wilkins spoke about his faith and his father, and even sings a version of "Prodigal Son" himself.