Originally published on Mon January 7, 2013 11:30 am
Trumpeter and composer Wynton Marsalis hails from one of New Orleans' most distinguished jazz families. He won a Pulitzer Prize for his oratorio Blood on the Fields, as well as multiple Grammy Awards and the National Medal of Arts, but his commitment to the improvement of life for all people is what demonstrates the best of his character and humanity.
Originally published on Fri January 11, 2013 8:55 am
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work at Artworld Salon and on his own site.
Originally published on Fri January 4, 2013 11:40 am
The holidays are finally wrapping up. So after you repack the twinkly lights, and the tinsel goes into the trash, what should you do with that once beautiful spruce standing in your living room? Why not drink it?
Well, not exactly as is. The needles, shoots, light-green tips and inner bark of the popular conifer have been used for centuries to brew forest-scented tea, soft drinks and beer. And it seems that fresh evergreen flavor may be making a comeback.
Following years of moving jobs overseas, some companies are deciding there are benefits to manufacturing products here at home. Guest host Celeste Headlee discusses the latest jobs numbers and the new trend called "insourcing." Headlee talks with Wall Street Journal reporter Sudeep Reddy and journalist Charles Fishman.
Tell Me More asked listeners how they are hoping to bring peace into their lives in 2013. From cutting up credit cards to cleaning up friendships, life coach Gail Blanke says even small changes add up. Guest host Celeste Headlee asks Blanke for some tips on creating a peaceful year.
Soul and gospel singer Fontella Bass, whose 1965 hit "Rescue Me" endures as one of the most recognizable soul records of the '60s, died last week on the day after Christmas. She was 72 years old. Despite the success of "Rescue Me," it was the number one R&B single for four weeks, it took years of litigation before Bass could claim her share of songwriting credit and royalties. In 1993, she sued American Express for using the song in a commercial and received what she said was a significant settlement.