Dirty Rice is the longest running Louisiana Music show going today. Started by Todd Mouton back in 1991 or so it's now hosted on an alternating week basis by Lee Kleinpeter and me. We're trying to bring you the best Louisiana music on your Saturday nights. The way I see it is that it's time to roll up the rug, sweep up the floor, turn up the radio loud and wear out the linoleum if you're housebound, drive a little faster if you're out on the streets or just plain have fun out there cooking in the kitchen.......
Freetown Radio is a free form, mixed bag of sounds showcasing music that is often neglected on commercial radio. Host Roger Kash exposes the intricate and subtle connections linking all genres of music from the dawn of recorded music early in the 20th Century to the so called "modern" sounds of today. Each week Roger deals with a specific theme and explores connections that transcend the boundaries of genre, exposing classifications as just marketing tools that record companies invent to sell records. Freetown Radio strives to be the epitome of non-commercial radio.
Originally published on Mon October 15, 2012 1:51 pm
Welcome Salt readers! We're Sandwich Monday, a regular feature from the staff of "Wait, Wait...Don't Tell Me," and we're moving in here to provide an antidote to the informative and insightful posts to which you're accustomed.
Originally published on Mon October 15, 2012 1:41 pm
If you're one of the few viewers still confused about what Treme is saying about art, do note this episode's "play-within-a-play" staging of Samuel Beckett's Waiting for Godot. The existentialist play revolves around two characters, Vladimir (nicknamed Didi) and Estragon (called Gogo), who wait interminably for a mysterious "Godot" by a desolate country road. It's clearly meant to parallel New Orleans residents' wait for essential social services, complete with the barren backdrop of the city post-Katrina.