Guidry's program is basically a request type show from call-ins and write-ins. He also does live interviews of musicians and on other French related topics. The main concept is to bring his audience the Cajun Music that would normally he heard if one was at a Sunday Afternoon Dance. Listeners can expect to hear recorded Cajun music from the very traditional roots musicians to the current popular progressive Cajun Music. Occasionally, you can hear live musical performances. You may also hear live phone interviews. You may also hear from musicians talking about their music.
An eclectic mix of music of the harp from the very beginnings of written music to pieces by contemporary composers. Harps have been incorporated into the musics of surprisingly diverse countries. While the music of Ireland is closely associated with the harp, it can also be found in countries such as Mexico, Paraguay, Egypt, Finland and even Far East countries such as Burma, China and Japan. Airs Mondays at noon and Sundays at midnight.
Freetown Radio is a free form, mixed bag of sounds showcasing music that is often neglected on commercial radio. Host Roger Kash exposes the intricate and subtle connections linking all genres of music from the dawn of recorded music early in the 20th Century to the so called "modern" sounds of today. Each week Roger deals with a specific theme and explores connections that transcend the boundaries of genre, exposing classifications as just marketing tools that record companies invent to sell records. Freetown Radio strives to be the epitome of non-commercial radio.
Originally published on Mon July 16, 2012 11:16 am
Aaron Sorkin's new HBO drama The Newsroom follows the inner workings of a fictional cable network trying to challenge America's hyperpartisan 24/7 news culture. It's a typical Sorkin drama, complete with fast-paced dialogue, witty scenes and a strong ensemble cast.
So why a newsroom?
"It suits my style," he tells Fresh Air's Terry Gross. "I like writing about heroes [who] don't wear capes or disguises. You feel like, 'Gee, this looks like the real world and feels like the real world — why can't that be the real world?' "
Music from the Cajun and Creole archives at the University of Louisiana at Lafayette Center for Culture and Eco-tourism. Megan samples collections like the 1934 Lomax recordings, 1950's recordings by Harry Oster, 1960's recordings by Ralph Rinzler and more recent recordings from Festivals Acadians et Creoles.