Originally published on Tue September 18, 2012 6:31 pm
Birthdays come but once a year, but for music lovers, what I like to call "that birthday feeling" is a semi-regular thing. I'm talking about the rush, tinged by anxiety, greeting the first download click on an album you've been longing to hear for months. It's a complicated wash of emotions, boosted by conflicting hopes and assumptions. You're about to get exactly what you've wanted; but what if it's not exactly what you want? And boy, that bike Mom promised to buy had better be cherry red.
In this Aug. 2, 2011 file photo, the bottom of the pond at the Gene Howe Wildlife Management Area is nearly dried up in Amarillo, Texas. A devastating drought across Texas turned rivers into sand, creeks into mud, springs into mere trickles and lakes into large puddles.
For Dave Samuels, the love of his first two instruments — the drums and then the piano — naturally led him to the vibraphone. Samuels' gift for evocative melody and his rhythmic versatility make him one of the leading mallet players of his generation, empowering him to swing from the classic-cool sounds of Stan Getz and Gerry Mulligan to the contemporary rhythms of The Yellowjackets, Spyro Gyra and his Caribbean Jazz Project.
Coal miner Lee Hipshire in 1976, shortly after emerging from a mine in Logan County, W.Va., at the end of his shift. A few years later, Lee took early retirement because of pneumoconiosis, or black lung disease. He died at 57.
NPR and the Center for Public Integrity (CPI) have learned that the Mine Safety and Health Administration (MSHA) and the Labor Department are putting together a team of agency experts and lawyers to specifically consider how to bolster coal mine dust enforcement given the statutory and regulatory weaknesses detailed by NPR and CPI this week in stories about the resurgence of black lung.
When McDonald's cut a deal to make itself the exclusive purveyor of french fries and the similar (but please don't say matching) chips at the 2012 Olympic Games in London later this month, it may not have anticipated the flurry of responses. Foodies raged, nutritionists nagged, and many called it another example of an American cultural takeover.
On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.
<em>Ice Age: Continental Drift,</em> which comes out July 13, is the fourth film in the animated franchise. Since <em>Toy Story </em>marked the beginning of the era of entirely computer-animated films, they've been a studio's safest bet for big earnings at the box office and beyond.
Credit Blue Sky Studios & 20th Century Fox
Computer-animated films like <em>Toy Story 3 </em>are not only box-office draws, they also bring in money through toy sales and theme park rides.
Imagine you're a movie producer, and you've got a couple of hundred million dollars to gamble on a single massive blockbuster. Which genre do you suppose will be your safest bet — superhero? Action-adventure? Sci-fi? All of those have had huge successes, but they've also all had hugely expensive failures.
There's one genre, though, that's hardly a gamble at all. It's been almost foolproof since it first came into being in 1995: computer animation.