Originally published on Thu August 15, 2013 5:02 pm
Watch C-SPAN long enough and you'll see members of Congress using big visual aids, known by Capitol insiders as floor charts. We explore where the charts come from and how they've become an essential part of congressional messaging. (This piece originally aired on Morning Edition on July 23.)
Originally published on Fri September 27, 2013 4:23 pm
Mikal Cronin's second solo album, MCII, contains more of his delightful, frequently dazzling, guitar-drenched pop-rock. Originally from Southern California, Cronin wrote his first record in response to making the post-college move to San Francisco. The new album is more about what happened when he got there and started playing in Ty Segall's band.
On this episode of World Cafe, Cronin sits down to chat with host David Dye and play a few songs with his band live in the studio.
David Lowery's Ain't Them Bodies Saints begins with what might have been its end.
Ruth (Rooney Mara) and Bob (Casey Affleck) sit in their ramshackle home after a botched robbery. The small-town Texas cops shooting at them have already hit and killed Freddy, the twosome's partner, and Ruth has downed a policeman. They're outnumbered and trapped, and Ruth suggests they run; Bob knows that's suicide.
Originally published on Thu August 15, 2013 5:45 pm
Austenland, a clunky broadside aimed at the cult of Jane Austen, is worth seeing primarily for its end credits, a mix of pop oil and water so joyfully dippy it might have produced a stifled giggle even in Herself.
Originally published on Thu August 15, 2013 5:59 pm
In their approaches to history, Joshua Michael Stern's Jobs and Lee Daniels' The Butler could hardly be less similar. The former is an example of Victorian-style great-man biography, updated for the iThings era. The latter observes monumental events, mostly involving the civil rights movement, from an Everyman's perspective.