Originally published on Fri March 29, 2013 1:54 pm
The narrative of jazz history often credits the music as a powerful, progressive force for racial integration in American culture. But what about gender equality? On that score, jazz in its first few decades would have to be given a less than stellar grade.
Calling them "sensible standards for cars and gasoline that will significantly reduce harmful pollution, prevent thousands of premature deaths and illnesses [and lead to] efficiency improvements in the cars and trucks we drive," the Environmental Protection Agency on Friday proposed national rules to reduce the amount of sulfur in gasoline.
Originally published on Fri March 29, 2013 12:48 pm
Writer-director Quentin Dupieux's last film came with its own viewing guide, a warning in the form of a to-the-camera prologue given by a flippant floppy-haired police officer: "All great films, without exception, contain an important element of no reason."
The cop's argument is too sweeping, and its examples too transparently nonsensical, to be taken seriously: Why is E.T. brown? For no reason. Why did the guy in The Pianist have to hide? For no reason!
Awhile back, I went to the Los Angeles County Museum of Art to see its show on filmmaker Stanley Kubrick. It was jammed with visitors poring over his letters, eyeing the dresses worn by the spooky twins in The Shining, and posing for photos in front of the sexy-futuristic decor of the Korova Milk Bar from A Clockwork Orange.