On their second collaboration, One True Vine, Mavis Staples and Jeff Tweedy assemble a story using songs written by various artists, dotted by frequent lyrical references to The Staple Singers. The album follows a narrative arc of struggle, acceptance and salvation that's mirrored in the crescendo and decrescendo of the music, starting out low and slow.
Jason Holliday, born Aaron Payne, is demanding audiences' attention again in a new theatrical release of Shirley Clarke's <em>Portrait of Jason</em>, restored by Milestone Film and the Academy Film Archive.
He's got a round, affable face and large, black, hipster glasses. He's smartly dressed in a blazer and button-up shirt. He looks straight into the camera, talking, singing, smoking and drinking — just him, for upward of 90 minutes.
"It only hurts when you think of it," he says, his normally jaunty voice wobbling on the edge of a break. "And if you're real, you think of it a long, long time, that's for sure. Those are the dues."