Before a hero can rise, he must suffer a fall, and fall the Dark Knight quite spectacularly did the last time around, taking the rap for crimes he didn't commit, marking himself as a vigilante pariah and even letting Heath Ledger steal the reviews. No way that's happening in this last installment. A comic-book tale that has gotten darker than anyone thought possible is now careening toward a burst of light — possibly a nuclear blast — at the end of the tunnel.
Pascale (Daniel Auteuil) with his sister Nathalie (Marie-Anne Chazel, right) and daughter Patricia (Astrid Berges-Frisbey), who, to his dismay, becomes pregnant in The Well-Digger's Daughter. The film is a remake of Marcel Pagnol's 1940 movie.
Credit Kino Lorber
Felipe (Kad Merad) tries in vain to win Patricia away from the son of a prosperous shopkeeper.
At 62, the actor Daniel Auteuil is French film royalty, a Renaissance man equally at home in comedy, drama, thrillers — or, given his perennial air of faintly amused irony, some combination of all three. An off-kilter looker, Auteuil fairly oozes Gallic urbanity, so it's easy to forget that he launched his prolific career playing a conniving rustic in 1986's Jean de Florette and its sequel, Manon of the Spring, both directed by Claude Berri and adapted from novels by the writer-director Marcel Pagnol.
When they outgrew their 26,000-square-foot mansion, David and Jackie Siegel set out to build their dream home, which was to be the biggest in the U.S. The Queen of Versailles looks at what happened when the recession ruined that dream.
Credit Lauren Greenfield / Magnolia Pictures
Jackie with five of her eight children. Thirty years younger than David, Jackie proves to be more than a typical trophy wife in the film.
When director Lauren Greenfield started filming The Queen of Versailles, a documentary about 74-year-old David Siegel, a billionaire timeshare magnate from Orlando, and Jackie, a trophy wife 30 years his junior, they had outgrown their 26,000-square-foot home.