Jewish settlers in the West Bank throw stones during clashes with Palestinians near the city of Nablus on May 19. A new report says violence by settlers directed at West Bank Palestinians is up sharply over the past three years.
Farming is the mainstay of the Palestinian communities around the West Bank village of Yanoun. Animals graze the land, and Palestinians make their living by harvesting citrus fruits and olives.
Last Saturday, Palestinians say, a group of Jewish settlers killed some of the sheep belonging to the Bani Jabr family. Palestinians say its part of a regular pattern of harassment in the area by settlers.
I rarely feel nervous before in-studio performances, but the June visit to KEXP by Will Oldham, a.k.a. Bonnie 'Prince' Billy, was an exception. Since emerging in his various "Palace" incarnations in the early 1990s, Oldham has been responsible for a dauntingly huge, rich, influential catalog of music. Yet Oldham acted so utterly at-home in our studio that I immediately relaxed and got lost in his playing.
Trishna (Freida Pinto) is the titular character in Michael Winterbottom's adaptation of Tess of the D'Urbervilles, which lends the novel's deteriorating romance a feeling of inevitability.
Credit Marcel Zyskind / IFC Films
Jay (Riz Ahmed) meets Trishna while sightseeing in her village and persuades her to move with him to Mumbai. A composite character created by Winterbottom, he's drawn from the two opposing love interests in Thomas Hardy's novel.
"Do you think you'll have to pay a high price for your mistakes?"
That line is spoken on an Indian game show watched by Trishna, the title character of Michael Winterbottom's subcontinental rethink of Thomas Hardy's Tess of the D'Urbervilles.
The penalties for mistakes on the game show are only monetary in nature, of course. For Trishna, the costs of her errors in judgment are measured on an entirely different scale. This being a Hardy story, you can count on this: They'll be high, and they'll be unpleasant.
Mont Blanc (Aris Servetalis) leads a group of people who offer a peculiar service: the replacement of departed loved ones. Imitating hairstyle and favorite quotes is normal, though some in his group go so far as to re-enact more private events.
Credit Kino Lorber
Monte Rosa (Aggeliki Papoulia) begins doing substitute work outside of the group, using her job to search for her own authentic relationship.
Alps, the tightly controlled burn from Dogtooth director Giorgos Lanthimos, begins with a simple image: a girl twirling a ribbon. Practicing her routine in a large gym, the rhythmic gymnast (Ariane Labed) moves powerfully, spinning and tumbling across the mats in choreography set to "O Fortuna." She finishes, but as she complains to her coach, a middle-aged track-suit-wearing type (Johnny Vekris), the routine just isn't working — she'd rather be doing a pop song. She's ready for pop, she insists.
In Union Square, Jenny (Tammy Blanchard, left) gets a surprise visit from her estranged sister, Lucy (Mira Sorvino), an emotional train wreck whose outsize personality clashes with Jenny's carefully constructed self-image.
Credit Gerardo Somoza / Reunion Pictures
Jenny lives with her fiance, Bill (Mike Doyle), who doesn't know about her working-class Italian heritage and thinks that she's from Maine.
The Mira Sorvino who won an Oscar for her full-bodied twist on the hooker-with-a-heart-of-gold type in Woody Allen's Mighty Aphrodite resurfaces in Union Square, a micro-budget indie that calls for a similar brand of New York brassiness.