Melissa spent months looking for a job — any job. For days, the 25-year-old consistently visited her welfare-to-work program in downtown Brooklyn, resume in hand and an interview smile splashed across her face.
"Every day, Monday through Friday, 9 to 4," she explains. "That's dedication."
Melissa, who asked us to not reveal her last name, has plenty of job experience. She's a self-identified "people person" and says she aces every interview. But there's just one thing holding her back: the past.
In the U.S., farmers and farm workers alike say the current system to import temporary workers, especially in agriculture, is slow and fraught with abuses.
But the shape of a new guest-worker program is still being hashed out. Some say the U.S. should import temporary workers the same way Canada does. For nearly four decades, the governments of Canada and Mexico have cooperated to fill agriculture jobs that Canadian citizens won't do, and that Mexicans are clamoring to get.
The Italian art-house film Caesar Must Die and the teen zombie-comedy Warm Bodies do not, at first glance, appear to have much in common. But they share a bit of creative DNA, both being inventive riffs that turn Shakespearean tragedies into something else entirely.
On 53rd Street and Vermont Avenue in South Los Angeles, violent members of at least six gangs run the streets. A landmark church is boarded up and tagged. There are liquor stores and abandoned lots. On Tuesday night, there was a drive-by shooting two blocks away, and folks are expecting retaliation.This is an area where murders, robberies and rapes are common — and so are guns.
"There's too many guns out there," says Randolph Wright, 18. "I can tell you right now, every hood has an AK[-47]. Regardless of whatever other gun they got, they have an AK."
Originally published on Mon March 4, 2013 10:25 am
Dave Grohl has always been a joy to watch onscreen, whether bashing away at a drum kit like the heavy-footed, wild-haired spawn of John Bonham and the Muppets' Animal in Nirvana's "Smells Like Teen Spirit" video, or flashing an endearingly goofy grin in the Mentos-spoof clip for the Foo Fighters' "Big Me." And a big part of that appeal is the sense that no matter how long he's been in the business, Grohl is still a guy who is acutely aware that he's living out a teenage daydream every day of his life.