Afghan policewomen take part in a training exercise in the western province of Herat in 2011. Policewomen face frequent sexual harassment and assaults, often carried out by policemen, human rights groups say.
It seems almost trivial at first: the latest Human Rights Watch report on Afghanistan says female police officers need their own toilets. Sure, who's going to argue with that. But why is it a big deal?
Here's how it unfolds.
Female police officers are experiencing high levels of harassment, sexual assault and rape — often at the hands of their male colleagues. Where is most of this activity taking place? In police station bathrooms and changing rooms.
Zubeidat Tsarnaeva, center, mother of Boston Marathon bombing suspects Tamerlan and Dzhokhar, reportedly spoke of radical ideas with her eldest son in 2011. Anzor Tsarnaeva, the boys' father, is on the left. At right is the boys' aunt, Patimat Suleymanova.
Boston Marathon bombing suspect Tamerlan Tsarnaev "vaguely discussed" jihad during a 2011 phone conversation with his mother, according to a U.S. official who described the recording to the Associated Press. The call, taped by a Russian government agency, reportedly did not include any mention of a plot inside the U.S.
Foodie fiction has become a veritable genre, devoted to deliciousness, to making your mouth water, to making you feel suddenly, irrevocably starved — and to making everything, sprouts and bologna included, an aphrodisiac. But what happens when enough is enough? Or when, perhaps, you're on a diet, or a deserted island, or attempting celibacy, or learning to live without gluten? What happens when you're hungry for the kind of fiction that concerns food but isn't in love with food — and thereby won't make you hungry, or lustful, or both?
Brooklyn-based keyboardist and vocalist Xenia Rubinos likes to play with syncopation. Her debut album, Magic Trix, is based around rhythms that sometimes are identifiable as Caribbean, and at other times veer into the experimental.
"It's something I have a lot of fun with — just taking one rhythmic figure and turning it around as many ways as I can," Rubinos says. "That's a huge part of my compositional process, just messing around with something very simple and seeing how far I can take it."