On tonight's All Things Considered, Robert Siegel talks with three prominent Egyptians. One of them, Dalia Ziada, is an activist and founder of the Justice Party.
Robert asked how the last two days have felt, how it felt to see many of her fellow Egyptians cast their first ballot. She said:
"It feels like celebrating a festival or something everyone is very is very excited about the idea of having a new president but [everyone is] very confused as well.
The Democratic Party will hold its national convention in Charlotte this September. The choice of venue was a signal that North Carolina would be a key part of President Obama's re-election strategy.
But the state's Democrats have suffered a few blows lately.
The United States and International Olympic Committees have formally announced a revenue-sharing agreement that paves the way for the return of the Olympics to the U.S.
Details of the deal were not released but sources familiar with it say it guarantees the U.S. Olympic Committee (USOC) at least $110 million a year from international Olympic sponsorships and the American rights to televise the games.
Paralyzed after a paragliding accident, wealthy daredevil Philippe (Francois Cluzet) hires Driss (Omar Sy), a cocky ex-con, despite the concerns of his aides, including Yvonne (Anne Le Ny).
Credit Weinstein Co.
The men find they have more in common than they expect — including a fondness for weed.
During The Intouchables' opening sequence, a black driver takes a white passenger on a wild ride through contemporary Paris at speeds that attract the police. When pulled over, the motorist claims he's hurrying to the hospital, and his charge — who turns out to be quadriplegic — pretends to be having a seizure. After the cops depart, the two men share a laugh and a cigarette; then they roar off, blasting 1970s funk.
A once-promising writer turned heroin addict, Anders (Anders Danielsen Lie) is released from his rehabilitation center for a day for a job interview in Oslo. Even as he goes out into the world, his melancholy mood continues to plague him.
Joachim Trier's first film, Reprise, was a giddy, hyperstylized account of the delights and despairs of Norway's young literary set. His follow-up, Oslo, August 31st, features some of the same themes and one of the previous movie's stars. But the writer-director's mood has downshifted dramatically.