For nearly 70 years, the Living Theater championed some of the most challenging work in New York Theater. It was the original off-Broadway company. But last month, Jon Kalish reports, co-founder Judith Malina shuttered the space she poured all of her money into and moved into an assisted-living home.
Pharis and Jason Romero live in a tiny town called Horsefly. This might sound like some relic of the old west, preserved through Hollywood movies and antiquated lore, but it's a real live town in British Columbia. And the music they make – though it, too, sounds like it's been pulled from long ago and far away – is a product of their authentic creative spirit.
One night in 1910, a little girl is born during a snowstorm in the English countryside. The umbilical cord is wrapped around the baby's neck; she turns blue and gasps for life. The doctor can't make it through the snow, and the little girl dies.
That same little girl is born on another version of that night in 1910, but this time the doctor makes it through the storm, delivers the baby and stays for breakfast.
David Sheff wrote a book in 2008 that became a kind of landmark. Beautiful Boy was a painful, personal story of the battle he tried to fight with and alongside his son, Nic, who was addicted to methamphetamines. The book became an international best-seller and made David Sheff one of the country's most prominent voices on addiction — not as a doctor, an addict or an academic expert, but as a father.
Debbie Reynolds has been in show business for more than 60 years — beginning as an ingenue chirping a novelty tune called "Aba Daba Honeymoon" in one of her first films, a Jane Powell/Ricardo Montalban vehicle called Two Weeks With Love. That was 1950. Today, she's indisputably a grand dame of show business, working with names like Matt Damon and Michael Douglas.