Originally published on Thu November 1, 2012 6:46 pm
A near-agoraphobic musician is an odd protagonist for a road movie, but then "odd" is the operative term for This Must Be the Place, Italian director Paolo Sorrentino's first English-language film. This mashup of genres and themes doesn't entirely succeed, but it is warm, funny and ably crafted.
Originally published on Thu November 1, 2012 6:21 pm
For Whip Whitaker, the commercial airline pilot played by Denzel Washington in Flight, daily life is about achieving a practiced but tenuous equilibrium between the professional he's required to be and the wreck he really is. As the opening scene reveals, it involves keeping his poisons in harmony: Peeling himself off a hotel bed after a wild night, Whip guzzles the stale swill from a quarter-full beer bottle, does a couple of lines of cocaine as a pick-me-up and strides confidently out the door in his uniform. This is the morning routine.
Mountain climbing asks a lot of its devotees. One should ideally be in top physical condition, with all senses at peak performance, and possessed of a quality that, if it's not best described as fearlessness, is at least a willingness to ignore the natural instinct not to dangle precariously above a drop of several thousand feet.
Originally published on Fri November 2, 2012 11:15 pm
After a very long engagement that began with the original Toy Story, Disney finally made an honest woman out of Pixar in 2006, when it paid the requisite billions to move the computer animation giant into the Magic Kingdom. But Disney's spirited 2010 hit Tangled made it abundantly clear that Pixar had a say in the creative marriage: The story of Rapunzel may be standard Disney princess fare, but the whip-crack pacing and fractured-fairy tale wit felt unmistakably Pixar. From now on, it would seem, Mickey Mouse and Luxo Jr.