This is TELL ME MORE from NPR News. I'm Michel Martin. Many Americans are still suffering from the effects of Superstorm Sandy. In a moment our panel of women journalists and commentators - we call it our Beauty Shop - will talk about how Sandy may or may not change the race for the White House.
This is TELL ME MORE from NPR News. I'm Michel Martin. Later in the program we are going to talk about the impact of Superstorm Sandy on some places you might not be hearing much about. In the Caribbean, especially in Haiti, for example, the damage includes a significant loss of life. We'll try to find out why in a few minutes.
Michelle Joni Lapidos never knew that she would fall in love with a big, black afro wig. And she certainly never knew it would change her life. But after she wore it to a dress-up party, that's exactly what happened. Now the white, Jewish "afro-girl" has been thrown in the middle of a racial firestorm.
It sounds like an experiment from a college sociology class, but Lapidos tells NPR's Michel Martin that she began wearing the wig with good, fun intentions. She was quickly called a racist by people who took offense to it.
Originally published on Wed October 31, 2012 12:39 pm
Ian McEwan's latest novel is an exercise in deception — the author of Atonement has created an engaging book that's as much suspenseful drama as it is romantic love story. At the center is Serena Frome, who after graduating from university as a math major (but with a reputation for being a lover of novels) lands a desk job with the intelligence agency, MI5. Early on Serena receives an assignment: She must pose as a representative for an arts foundation and begin to cultivate a young writer. Keeping her identity from him proves challenging.
The first computer game that really frightened me to the bones was 1994's The 7th Guest. It's certainly primitive compared to today's games, but parts of it were indubitably scary. Even early on, when a kind of Steadicam slowly led me up a Victorian mansion's stairs, there was a feeling of uncomfortable dread. Don't go there, I said to myself. Yet, like so many ill-fated protagonists in the movies, I went there. And when ghosts moved about on the second floor — damn — that was eerie. It was like that "cold spot" in Robert Wise's The Haunting.