Beneath a bright blue, near-cloudless sky, a lone aluminum trailer sits amid the sagebrush, the flat amber earth and the forbidding heat of Death Valley. Oddly enough, the trailer's single inhabitant doesn't seem the hermit type: Frank (Charlie Hunnam) is young, well-dressed and extremely handsome, the kind of blond-haired and blue-eyed good-looking that usually comes with easy confidence and a modeling contract.
When you think about the great music of science fiction, a few staples spring to mind — say, the theme from the classic Star Trek series, or John Williams' compositions for the Star Wars movies.
Nathan Johnson, the composer for the new time-travel thriller Looper, wanted to break with tradition. Instead of going for that slick, orchestral sound, he immersed himself in the world of the film to find his source material.