George Mallory's final moments remain a haunting, hotly-disputed mystery. Did the dashing young mountaineer manage to reach the summit of Mount Everest, making him the first man to ever do so? Or did he and his climbing partner, Sandy Irvine, perish heart-breakingly close to their unfulfilled goal?
It's been about a year and a half since Gen. Martin Dempsey left his job as chief of staff of the Army and became President Obama's top military adviser as the chairman of the Joint Chiefs of Staff.
Dempsey is now responsible for reshaping the U.S. military after 10 years of war, which means scaling the forces down. At the same time, he's fighting to stave off across-the-board cuts to the defense budget — the so called sequester — that could happen in a couple weeks if Congress fails to reach some kind of budget deal.
On Feb. 17, 1913, an art exhibition opened in New York City that shocked the country, changed our perception of beauty and had a profound effect on artists and collectors.
The International Exhibition of Modern Art — which came to be known, simply, as the Armory Show — marked the dawn of Modernism in America. It was the first time the phrase "avant-garde" was used to describe painting and sculpture.
On the evening of the show's opening, 4,000 guests milled around the makeshift galleries in the 69th Regiment Armory on Lexington Avenue.
Bruce Feiler's house was in chaos. He and his wife, Linda, have twin daughters, and every morning was a madcap rush to get everybody dressed, fed, and out the door in time. Such hectic mornings aren't unusual; the scene probably sounds familiar to many busy families. But Feiler kept wondering if things could be better — easier, smoother, happier. In addition to the daily stresses, Bruce and Linda were grappling with more fundamental questions: How could they impart values and responsibility to their girls, and still have fun as a family?