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9:03 am
Fri May 10, 2013

Questions For Eduardo Halfon, Author Of 'The Polish Boxer'

Eduardo Halfon is the author of The Polish Boxer.
Paula Morales

Originally published on Sun May 12, 2013 3:23 pm

Guatemalan author Eduardo Halfon is this week's Alt.latino guest DJ, and he's a natural choice; his new book, The Polish Boxer, is a series of semi-autobiographical stories woven through with loving references to jazz and classical music.

Alt.latino host Jasmine Garsd had this to say about The Polish Boxer:

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Deceptive Cadence
8:54 am
Fri May 10, 2013

Come Dance The 'Rite Of Spring' With Us!

It's fun to stay at the ИМКА: Stravinsky's ballet The Rite of Spring triggered an uproar at its world premiere in Paris a century ago. Now we're asking you to help celebrate the centennial by creating a dance of your own.
Keystone-France Getty Images

Originally published on Thu May 23, 2013 10:17 am

  • Stravinsky: The Rite of Spring; Scriabin: The Poem of Ecstasy

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Alt.Latino
8:52 am
Fri May 10, 2013

A Braid Of Words: Guest DJ With Eduardo Halfon, Author Of 'The Polish Boxer'

Guatemalan author Eduardo Halfon's most recent book, The Polish Boxer, mesmerized us.
Courtesy of the artist

Originally published on Mon June 17, 2013 10:13 am

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The Two-Way
8:44 am
Fri May 10, 2013

Jacob & Sophia Rule Among Baby Names, Liz & Liam Are Hot

Originally published on Mon May 13, 2013 7:09 am

If this was a contest, some might call for the name Jacob to be retired after so many wins.

According to the Social Security Administration:

"Jacob and Sophia are repeat champions as America's most popular baby names for 2012. This is the fourteenth year in a row Jacob tops the list for boys and the second year for Sophia."

Rounding out the top 10 lists:

Girls / Boys

2. Emma / Mason

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Monkey See
8:41 am
Fri May 10, 2013

Loving 'Gatsby' Too Much And Not Enough

Carey Mulligan and Leonardo DiCaprio in Baz Luhrmann's The Great Gatsby.
Daniel Smith Warner Brothers Pictures

Originally published on Fri May 10, 2013 12:19 pm

[I really hope it goes without saying that this piece about the film adaptation of a decades-old novel gives away the plot of a decades-old novel. But: Be aware.]

The sheer zazz that Baz Luhrmann introduces into The Great Gatsby is so imposing in quantity that it's surprising that it can get out of the way enough not to be the biggest problem in the movie. Luhrmann, after all, loves his swooping cameras and party scenes, and Gatsby gives him the best excuse for excess that there is: a story about excess.

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