Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Credit Michael Gibson / Columbia Pictures
Lori (Kate Beckinsale) and Vilos (Bryan Cranston) are two enemies that come to light after Quaid visits Rekall.
Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.
Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)
Originally published on Thu August 1, 2013 10:38 am
In May, JazzSet host Dee Dee Bridgewater emceed three nights of concerts held at the Kennedy Center's Terrace Theater as part of the Mary Lou Williams Women in Jazz Festival in Washington, D.C. Chihiro Yamanaka and Jane Bunnett opened the first night; they come from Japan and Canada, respectively, and each has a compelling story.
South African playwright, actor and director Athol Fugard describes the time Nelson Mandela was released from prison in 1990 as "a period of euphoria that was the most extraordinary experience of my life."
He says he was also convinced he would be the country's "first literary redundancy."
"My life had been defined by the apartheid years," he tells Michel Martin, host of NPR's Tell Me More. "Now we were going into an era of democracy ... and I believed that I didn't really have a function as a useful artist in that anymore."
New Jersey has a proud heritage in rock music, from punk legends like Misfits to the Boss himself. The sonic imprint of the Garden State is unmistakable in the music of The Gaslight Anthem, which carries on in Jersey's proud rock 'n' roll tradition.
Originally published on Fri October 19, 2012 8:58 am
Like many artists performing under the broad umbrella of "folk music" at this year's Newport Folk Festival, Gary Clark Jr. isn't settling inside any genre, let alone folk. Working off a template of bluesy rock, he infuses the gritty songs on his Bright Lights EP with elements of soul, pop and even reggae. Above all, he's a positively ferocious young guitarist, with a reputation as an up-and-comer poised for one of those 30-, 40-, even 50-year careers.