The Either/Orchestra at the New School in New York City from left to right: Charlie Kohlhase, Hailey Niswanger, Russ Gershon, saxophones; Joel Yennior, trombone; Tom Halter and Dan Rosenthal, trumpets; Gilson Schachnik, piano; Rick McLaughlin, bass; Pablo Bencid, drums; Vicente Lebron, percussion.
Credit David Tallacksen / WBGO
One of the newest Either/Orchestra members is Hailey Niswanger on alto sax and flute.
Originally published on Wed December 12, 2012 1:46 pm
A creative composer and his 10-piece band embed melodies from a golden musical age in the Horn of Africa into Western harmony, and an Afro-Caribbean breeze blows through it, as Russ Gershon and the Either/Orchestra present The Collected Unconscious in Tishman Auditorium at the New School in New York City, in Surround Sound on JazzSet.
Originally published on Fri October 12, 2012 3:46 pm
Astro belongs to Chile's fantastic wave of modern musical exports, alongside rapper Ana Tijoux, pop singer Alex Andwandter and indie-folk singer Gepe, among others. Yet Astro stands apart from its contemporaries: Tijoux, Gepe and even Andwandter are inspired by Chile's folk tradition and serious social issues, while the band heads in a different direction with its fun, irreverent lyrics and synth-heavy sound.
The original French title of The Big Picture — an adaptation of a novel by American expatriate writer Douglas Kennedy — means "the man who wanted to live his life." That's pointedly ironic, since this existential thriller is about a person who seeks personal freedom by becoming somebody else.
If you do the math, the number of true psychopaths in Seven Psychopaths may not quite add up. Perhaps writer-director Martin McDonagh didn't want to go overboard with the murderous crazies. As it is, he's peopled his whimsically brutal comic thriller with — to name just three — an Amish throat-slasher, a dynamite-packing Buddhist and a serial killer who's fond of white bunny rabbits. That's probably enough.
<em>Simon and the Oaks</em> serves as a rather too cozy consideration of Nazi sympathies in Sweden during the early years of World War II.
Credit The Film Arcade
<em>War of the Buttons,</em> set in occupied France, focuses more on the war between gangs of children than it does on the real conflict playing out among their parents, some of whom are Vichy collaborators.
Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.