Esperanza Spalding has often said that she hopes to use the fame from her 2011 Best New Artist Grammy to help give her friends and mentors in the jazz world the recognition they deserve. She got her chance earlier this month, when Spalding and her longtime teacher and mentor, trumpeter Thara Memory, accepted the Grammy for their arrangement of "City of Roses" from Spalding's 2012 album Radio Music Society.
A new exhibit on the campus of Emory University in Atlanta is bringing civil rights leaders together.
Curators have worked for more than three years to catalog roughly 1,000 boxes of historic documents that tell the story of the Southern Christian Leadership Conference, an early civil rights group first presided over by the Rev. Martin Luther King Jr.
Originally published on Sat February 23, 2013 10:31 am
Film scores are, by and large, manipulative. They do their work at the periphery of the senses, signaling danger, heralding victory, prodding us toward fear and joy in time with the unfolding story. Crucially, they are also empathic, letting us in on what the actors' words or faces may not convey. And when things get unpleasant, the score can step in as an emotional buffer — a layer of unreality between us and the action that lets us know we're safe. Sunday night at the Oscars, Hollywood will honor a film whose music manages to get all these things right.
It seems Republican Sen. Lindsey Graham has done his best in recent weeks to get as much ink as possible, talking about things that play well with the conservatives in his home state of South Carolina, like Benghazi and gun rights.
Graham also held up the nomination of Chuck Hagel as defense secretary to get more answers about what happened in Benghazi, even as he admitted Hagel had nothing to do with it. But his opposition might have more to do with home state politics than the nomination itself.