The first minarets in Murfreesboro, Tenn., are about to be placed atop a new mosque. But when construction is complete on the new Islamic Center of Murfreesboro, located about 30 miles southeast of Nashville, no one will get to move in.
An ongoing court battle has stalled the project, one of several Islamic centers around the country that, like the so-called ground zero mosque, have encountered resistance from local communities.
Lovely people, beautiful places, a suicide attempt and echoes of a French New Wave classic — these ingredients seem to promise lots of passion in A Burning Hot Summer. But this existential-romantic roundelay barely simmers, and certainly doesn't scorch.
Veteran director Philippe Garrel's latest film opens with apparently parallel events: a woman reclines naked, alone in a room, as a man guns his car, heading straight for a tree.
Abraham Lincoln (Benjamin Walker) and Will Johnson (Anthony Mackie) in one of the slick action sequences from Abraham Lincoln: Vampire Hunter. Lincoln's weapon of choice in the film is a silver-plated ax.
Credit Stephen Vaughan / 20th Century Fox
Abraham Lincoln with Henry Sturges (Dominic Cooper), a friendly member of the undead who trains Lincoln as a vampire hunter.
Two films into his English-language directing career, and already Timur Bekmambetov is spinning his wheels. But at least when the Kazakh director does so, the wheels have glistening silver rims and spin in hyperdetailed, superslow motion, all while the car is spinning through the air in a graceful, arcing corkscrew.
Not since Walt Disney's heyday has an animation company enjoyed a creative — and technically innovative — run like Pixar, now on a two-decade stretch that started with Toy Story in 1995 and continued with modern classics like Finding Nemo, Monsters Inc., The Incredibles, WALL-E, Ratatouille and two Toy Story sequels that took on improbable depth and complexity. Over the years, the only persistent knock against Pixar is its lack of one thing Disney movies had in spades: female heroines.