Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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The Record
10:39 am
Tue December 16, 2014

Listen To 'The Eye,' A New Song By Brandi Carlile

Brandi Carlile's fifth studio album, The Firewatcher's Daughter, will be out on March 3.
David McClister Courtesy of the artist

Originally published on Tue December 16, 2014 11:45 am

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The Record
9:46 am
Fri December 12, 2014

In 2014, Pop Followed Beyonce's Lead

Beyonce's performance during the 2014 MTV Video Music Awards in August included clips of a speech about feminism by author Chimamanda Ngozi Adichie.
Kevin Winter/MTV1415 Getty Images for MTV

Originally published on Mon December 15, 2014 4:12 pm

2014 was a divisive time in popular music, with no single album or song seeming to capture the year's mood and no trend pointing clearly toward the future. But most music lovers could agree on one thing: Beyoncé was flawless. The 33-year-old powerhouse set every standard by which pop music and celebrity are judged.

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First Listen
10:06 pm
Sun November 30, 2014

First Listen: 'When I Reach That Heavenly Shore: Unearthly Black Gospel 1926-1936'

African-Americans on their way to church.
Courtesy of the artist

Originally published on Thu December 11, 2014 9:43 am

In the history of American popular music, gospel is the great conveyor. People could hear it everywhere as the 20th century grew from infancy to adolescence: in churches, of course, but also on street corners, sung by wanderers whose guitar work and moaning vocals arose in dialogue with the blues; in factories and mines, where harmonizing quartets provided balm to frustrated workers; on the radio, where preachers and singers performed live to thousands of listeners; and through the new medium of recordings, which turned regional styles into national trends.

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All Songs Considered
6:03 am
Wed November 26, 2014

Lead Belly, 'I'm So Glad, I Done Got Over'

Portrait in New York, in Lead Belly's final days, 1948-49
Dr Richard S. Blacher

Originally published on Fri November 28, 2014 2:22 pm

In the new, comprehensive boxed set Lead Belly: The Smithsonian Folkways Collection, to be released in Feb. 24, 2015, the Smithsonian archivist Jeff Place reminds readers of the huge historical chunk of American music that the legendary singer and songwriter carried forward via his 12-string Stella guitar. "Lead Belly is often spoken of as the 'discovery' of folklorists, but in many ways he was a walking and singing collector of American folk songs in his own right," Place writes.

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