Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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First Listen
10:03 pm
Sun May 18, 2014

First Listen: Lee Bains III & The Glory Fires, 'Dereconstructed'

Lee Bains III & The Glory Fires' new album, Dereconstructed, comes out May 27.
Wes Frazer Courtesy of the artist

Originally published on Wed May 28, 2014 11:08 am

In north central Alabama, punk rockers often know as much about football as they do mosh pits. A guy with an arm-sleeve tattoo will open the door for a woman and call her "ma'am." Self-identifying as a blue dot in a red state doesn't preclude Sunday brunch with relatives whose own cars boast confederate-flag stickers. Such differences can arise anywhere, but they can feel more pressing in the Deep South, where history is sticky, like a 90-degree rainy day, and intimate, like Grandma's questionable advice.

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The Record
10:39 am
Tue May 13, 2014

Why Tori Amos Connects

Tori Amos on stage in Glasgow, three days before the release of her 14th studio album, Unrepentant Geraldines.
Ross Gilmore Redferns via Getty Images

Originally published on Mon May 19, 2014 4:40 pm

When I spent time on tour with Tori Amos a decade ago, collaborating with her on a book, I'd see her invoke the four elements many nights before her band would take the stage.

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All Songs Considered
10:03 am
Tue May 13, 2014

Song Premiere: Naomi Shelton And The Gospel Queens, 'Sinner'

Jacob Blickenstaff Courtesy of the artist

Originally published on Thu May 15, 2014 9:18 am

In 1963, Alabama was culturally closer to Brooklyn than it is now. The Great Migration of African-Americans out of the South created enclaves in cities all over the country, and the Civil Rights movement trained the eyes of the North on cities like Birmingham. Alabama native Naomi Shelton came to Brooklyn that year with the gospel in her heart and soul music turning her head. She found a place to sing, a bar on Flatbush Avenue, and a musical partner in keyboardist Cliff Driver. Flatbush Avenue rang out with the sound of her Southern blend of grace and grit.

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The Record
1:42 pm
Thu May 8, 2014

Is It Worth It To Work It?

The album cover for Lily Allen's Sheezus goes after multiple targets, including Kanye West (in the album's title) and Queen Elizabeth II (the corgis).
Courtesy of the artist

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The Record
11:07 am
Thu April 17, 2014

God, Drugs And Lizard Aliens: Yep, It's Country Music

Sturgill Simpson's second album, Metamodern Sounds In Country Music, takes inspiration from both Ray Charles and research into near-death experiences.
Crackerfarm Courtesy of the artist

Originally published on Wed June 18, 2014 7:51 am

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