Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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All Songs TV
9:48 am
Tue October 14, 2014

Steelism, 'Marfa Lights'

YouTube

Originally published on Sun October 26, 2014 4:26 pm

The Nashville instrumental group Steelism stands out for its ability to blend vintage styles — steel-guitar jazz, surf rock, the cool vibe of 1960s movie soundtracks — in ways that don't feel dated. Steelism's playfulness, embodied in the easy dialogues between guitarists Jeremy Fetzer and Spencer Cullum, Jr., freshens up everything its touches.

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First Listen
10:03 pm
Sun October 12, 2014

First Listen: Neil Diamond, 'Melody Road'

Neil Diamond's new album, Melody Road, comes out Oct. 21.
Micah Diamond Courtesy of the artist

Originally published on Wed October 22, 2014 9:54 am

In 1989, the producer Don Was approached Neil Diamond about making a record. "'I called [him] and said, 'Neil, I think you're a rock 'n' roll artist, but you lost your way, and I know how to make it right,' " Was told a reporter in 2013. The two went into the studio but only ended up with one song that has been released. Was had discovered that Diamond was anything but lost.

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The Record
10:42 am
Wed October 8, 2014

The Dream Of Ridiculous Men

The music on U2's new album, Songs of Innocence, reaches back toward the moment when the band was first building an audience.
Courtesy of the artist

Originally published on Thu October 9, 2014 11:54 am

The last short story Fyodor Dostoevsky wrote is about being seriously ridiculous. In "The Dream of a Ridiculous Man," an intellectual prone to existentialist despair is saved from suicide when, in a vision, he discovers a parallel planet where humanity has never sinned. "It was like being in love with each other, but an all-embracing, universal feeling," he tells the reader. This contact with Eden reinvigorates him, but then, during a playful moment, he teaches the planet's innocents how to deceive each other — and this leads to a catastrophic, Biblical fall.

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First Listen
10:03 pm
Sun October 5, 2014

First Listen: Angaleena Presley, 'American Middle Class'

Angaleena Presley's new album, American Middle Class, comes out Oct. 14.
Courtesy of the artist

Originally published on Wed October 15, 2014 10:45 am

The temptation when confronting a serious problem is to either cry it out or laugh it off. This is true in country music, as in life. Even the greatest songs about heavy subjects either diffuse the tension with jokes or go entirely maudlin, providing catharsis without true clarity. Angaleena Presley, though, tackles the hard stuff head on.

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The Record
10:17 am
Wed September 24, 2014

Roots, Plugged In

Jonah Tolchin performs at Grimey's in Nashville during the Americana Music Festival on Sept. 20.
Erika Goldring Getty Images

Originally published on Thu September 25, 2014 10:10 am

When I put Jonah Tolchin's performance at Third Man Records on my schedule for Americana Fest, the annual gathering of roots-minded musicians that took over Nashville last week, I thought I was going to see a young artist playing old-timey music. Earlier this year, the 22-year-old New Jerseyite released an album, Clover Lane, that gently ranges from countryish ballads to uptempo numbers with a country blues feel.

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