Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

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Tiny Desk Concerts
7:03 am
Sat June 7, 2014

Marian McLaughlin: Tiny Desk Concert

Meredith Rizzo NPR

Originally published on Fri July 11, 2014 2:29 pm

Marian McLaughlin is a unique musician based in the Washington/Baltimore area, and because she's lived in D.C., I've had a chance to watch her grow. She's an artist on her own path, making music like few others.

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All Songs Considered
7:52 am
Thu June 5, 2014

After Learning To Loosen Up, Spoon Readies Its Return: The All Songs Interview

Spoon.
Tom Hines Courtesy Of The Artist

Originally published on Fri June 6, 2014 9:30 am

Spoon's first album in four years is called They Want My Soul. It won't be released until Aug. 5, but frontman Britt Daniel and drummer Jim Eno recently joined All Songs Considered hosts Bob Boilen and Robin Hilton to play some of the record and share the stories behind it. You can hear the full interview using the link above, or read edited highlights below.

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All Songs TV
11:02 am
Tue June 3, 2014

Trampled By Turtles, 'Are You Behind The Shining Star?'

Courtesy of the artist

Originally published on Wed July 9, 2014 8:46 am

The adventurous, rock-leaning bluegrass band Trampled by Turtles has a new album coming in mid-July called Wild Animals. This video is for the first single, "Are You Behind the Shining Star?"

All Songs TV
8:03 am
Mon June 2, 2014

The Orwells, 'North Ave.'

The Orwells, 'North Ave'
Courtesy of the artist

Originally published on Wed June 25, 2014 10:47 am

Tiny Desk Concerts
7:03 am
Sat May 31, 2014

Juana Molina: Tiny Desk Concert

Juana Molina performs at a Tiny Desk Concert in April 2014.
Jim Tuttle NPR

Originally published on Mon June 2, 2014 8:47 am

No one else makes music that sounds like this. Juana Molina takes familiar elements — guitars, drums, keyboards, voice — and manipulates them into bewildering, attractive, polished jewels. Her songs don't fall into beat patterns we're used to, but we can dance to them. The guitar doesn't make sounds you'd expect, but we can relate to them. It's as if she'd been raised by wolves and discovered the world of music on her own.

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