Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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Movies
4:18 pm
Sun February 2, 2014

A Century Ago Today, Chaplin Made His Film Debut — In A Dud

Silent-film icon Charlie Chaplin, in character as the Little Tramp, takes aim with his walking stick circa 1925.
Edward Gooch Getty Images

Originally published on Sun February 2, 2014 5:42 pm

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Movie Reviews
5:18 pm
Thu January 30, 2014

At Home, With Mom And Her Murderous Beau

Depressed single mother Adele (Kate Winslet) and her son, Henry (Gattlin Griffith), give the wounded and desperate Frank (Josh Brolin) a ride, only to realize that Frank is an escaped convict being hunted by local police.
Dale Robinette Paramount Pictures and Indian Paintbrush

Originally published on Fri January 31, 2014 6:51 pm

So here's the setup: It's 1987. Frank, a convicted murderer, has escaped from a New Hampshire prison, and he's holding Adele, a fragile divorcee, and her 12-year-old son, Henry, captive in their own house until they eat his chili.

Turns out it's good chili — so good that it inspires Adele, whom the handsome convict has tied up very gently and tenderly, to reminisce about a conversation she and her son had about his sex education class. Seriously, it's some good chili. And did I mention that Frank is handsome?

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Movie Reviews
4:32 pm
Thu January 23, 2014

Sun And Water, And A Dangerous Brand Of Desire

Pierre Deladonchamps (right) and Christophe Paou anchor the dark thriller Stranger by the Lake, in which danger and desire become as tangled as in a Hitchcock classic.
Strand Releasing

Originally published on Thu January 23, 2014 5:49 pm

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Monkey See
3:13 pm
Tue December 31, 2013

Screen Time: Bob Mondello's Favorite Films Of 2013

Lea Seydoux plays Emma in the film Blue Is the Warmest Color, directed by Abdellatif Kechiche.
AP

Originally published on Tue December 31, 2013 5:56 pm

Conventional wisdom has it that television is where the creative action is these days, and yes, there are some terrific shows on cable.

But there are things it's hard to do on the small screen, and the year's most cinematic film delighted in reminding audiences why they like seeing movies in theaters.

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Movie Reviews
4:01 pm
Thu December 19, 2013

From An Oscar Winner, A 'Past' Still Hauntingly Present

Asghar Farhadi's The Past focuses on the complex family dynamics between Marie (Berenice Bejo), her soon-to-be ex-husband, her new love (Tahar Rahim, above) and her children.
Carole Bethuel Sony Pictures Classics

Originally published on Sat December 21, 2013 5:46 pm

Iranian filmmaker Asghar Farhadi came to international attention last year when his film A Separation won the Oscar for best foreign language film. His latest picture, The Past, has been showered with awards, too — at the Cannes Film Festival and from critics groups in the U.S. I saw The Past in September at the Toronto Film Festival, and it has haunted me ever since.

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