Ella Taylor

Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.

Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.

Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.

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Movie Reviews
4:03 pm
Thu May 17, 2012

'Elena': A Femme Fatale, In The Rubble Of Perestroika

Elena (Nadezhda Markina), a dutiful wife to her wealthy husband and a burdened mother to her layabout son, manages to balance the needs of the two, until she learns her husband plans to leave her family nothing in his will.
Zeitgeist Films

On its surface alone, Andrey Zvyagintsev's Elena is an intensely compelling slice of noir about moral rot and class warfare in post-Soviet Russia. Deeper down, the movie seethes quietly with the moody influence of other East European masters of the timeless ineffable. If Zvyagintsev were a less inscrutable filmmaker, he might have titled his new film Crime Without Punishment — but we'll get to that.

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Movie Reviews
4:03 pm
Thu May 10, 2012

'America': A Gleefully Violent Pop-Culture Pushback

Turning depression and anger at his spiraling personal life outward, Frank (Joel Murray) — with sidekick Roxy (Tara Lynne Barr) — takes literal aim at the crasser forms of American pop culture.
Magnet Releasing

Ever thought about murdering popular culture and its hangers-on? If your current homicidal fantasies include whacking the gelled hipster who loudly water-coolers yesterday's idiot reality show for anyone who will listen — and many who'd rather not — you may find yourself rooting for Frank, the unlikely dragonslayer of Bobcat Goldthwait's bracing new black comedy God Bless America.

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Movie Reviews
4:03 pm
Thu May 3, 2012

'Best Exotic Marigold Hotel': Retirement, Outsourced

Judi Dench, Tom Wilkinson and Bill Nighy play British retirees in residence at the Best Exotic Marigold Hotel. While advertisements promised a life of leisure in a newly refurbished facility, the Brits arrive to find the palace a shell of its former self.
Fox Searchlight

Originally published on Fri May 4, 2012 2:24 pm

Outsourcing gets a new twist in The Best Exotic Marigold Hotel, a likable if market-driven ensemble comedy about a pack of cash-poor British elders who ship out for India, hoping for one last stab at self-renewal in a supposedly glam hotel.

The lonely seniors have two things in common: the usual big-screen bucket-list array of wishes for love, sex, closure and adventure — or at a minimum, retirement without total penury — and the fact that they're all played by the cream of today's British acting talent, albeit mostly operating below full steam.

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Movie Reviews
4:03 pm
Thu April 26, 2012

'Inventing' A Way Of Life, And A Nation With It

This 1948 photo shows children from Hulda, a collective community, or kibbutz, located in central Israel.
First Run Features

Originally published on Fri April 27, 2012 9:05 am

In 1945, shortly after my father was demobilized from the British army, my parents packed their bags and went to help found a kibbutz near Galilee, in the north of what was then Palestine. Along with a crew of other young Jewish socialists and refugees from European anti-Semitism, these two city dwellers set to work draining swamps and replacing them with fish ponds and fruit orchards, building collectives out of spartan shacks and collective dining halls, and raising their children in communal nurseries.

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Movie Reviews
4:03 pm
Thu April 19, 2012

'Darling Companion': Boomer Dramedy, Dog-Tired

Beth (Diane Keaton) and her adopted dog, Freeway, are parted when her distracted, workaholic husband, Joseph, loses Freeway in the woods.
Wilson Webb Sony Pictures Classics

It is said of one well-liked Hollywood purveyor of cheerfully inept romantic comedies that he doesn't actually direct movies — he hosts them. That quip sprang unbidden to mind at a screening of the genially terrible Darling Companion, a therapeutic intervention passing as family dramedy for our times.

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