KRVS

Heller McAlpin

Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.

Fathers and sons. You could fill a library with books about the paternal ties that bind — or fray: Sophocles' Oedipus Rex, Ivan Turgenev's Fathers and Sons, Philip Roth's Patrimony, Mario Puzo's The Godfather, and so on. And now there's Mark Sarvas' second novel, Memento Park. Dedicated to his father, who died in 2009, and his two grandfathers, who died decades earlier, it's an absorbing drama about a first generation Hungarian-American rooting around in his family's buried past in the hopes of fathoming his legacy.

John Banville, the notoriously self-critical Irish writer known for his elegant precision and icicle-sharp wit, has reached the age of nostalgia and redress. In Time Pieces, a lovely quasi-memoir and multi-leveled portrait of Dublin, Banville makes up for the short shrift he feels he's given his adopted city in his novels, which include The Sea, Ancient Light, and Mrs. Osmond, his recent sequel to Henry James' Portrait of a Lady.

About halfway through her first book of nonfiction, Edinburgh-based author Maggie O'Farrell explains her latest project to her mother: "I'm trying to write a life, told only through near-death experiences," she says. It's not exactly an autobiography, more like "snatches of a life. A string of moments."

One of the great joys of reading is discovering a new writer whose work speaks to you — whether an unknown debut novelist or a seasoned author whose many books you've somehow missed. Case in point: Sigrid Nunez. I was drawn to her sixth novel as a fresh addition to the literature of grief, but within pages realized The Friend has as much to say about literature as about grief, and was wondering how she'd slipped below my radar.

Jillian Medoff's new novel is an office dramedy involving an elaborate coverup in a corporate HR department that has nothing to do with financial or sexual transgressions. In other words, it isn't ripped from the headlines. Set at a New York-based market research firm that's been cut to the bone by layoffs in the wake of the 2008 financial meltdown, This Could Hurt is an ultimately heartwarming entertainment about the ways "the work/life firewall" breaks down when a formidable boss — a 64-year-old glass-ceiling-breaker who's both Hispanic and a woman — starts to slip.

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