Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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Theater
11:03 pm
Sat June 9, 2012

Behind The Stars, The Sets That Help Them Shine

The idea behind Ost's design was to keep the set out of the way of the storytelling --€” and of Newsies' kinetic ensemble.
Mike Coppola Getty Images

Originally published on Sun June 10, 2012 2:50 pm

Broadway caps off its 2011-2012 season June 10 at the 66th annual Tony Awards, and while the focus will mostly be on the nominated shows and actors, some attention must be paid to the set designers — the people who help create the environments that let those shows and actors shine.

Take Daniel Ostling: When he read Bruce Norris' script for Clybourne Park, a play that takes place in a very realistic Chicago bungalow, the veteran scenarist quickly came to a realization: "The house is actually a character."

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Deceptive Cadence
1:03 am
Sat June 2, 2012

A (Very) Young Composer Gets His Chance At The New York Philharmonic

Very Young Composer Milo Poniewozik at the New York Philharmonic's School Day Concerts, where his piece was performed in front of more than 2,000 kids.
Michael DiVito New York Philharmonic

Originally published on Tue September 18, 2012 3:51 pm

What would it be like if you were 10 years old and composed a piece of music that was played by the New York Philharmonic? For a few New York City school kids, including one fifth-grader, it's a dream come true, thanks to the orchestra's Very Young Composers program.

Composer Jon Deak, who played bass with the New York Philharmonic for more than 40 years, says the idea for Very Young Composers came when he and conductor Marin Alsop visited an elementary school in Brooklyn several years ago.

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Music News
2:28 am
Thu May 31, 2012

Requiem For A Cabaret: The Oak Room Closes

The entrance to the Algonquin Hotel on West 44th Street in New York City.
Peter Kramer Getty Images

Originally published on Thu May 31, 2012 4:21 am

New York's historic Algonquin Hotel has been famous for a lot of things: the roundtable where some of the greatest American wits, from George S. Kaufman to Dorothy Parker, held forth in the 1920s and '30s; generations of cats — named either Hamlet or Matilda — who haunt the lobby; and, since 1980, the Oak Room, one of New York's most loved cabaret spaces.

When Marriott purchased the hotel and closed it for renovations early this year, they announced that the Oak Room would not be reopening — instead, it will be a lounge for preferred customers.

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Theater
1:41 am
Fri April 27, 2012

Managing The Gershwins' Lucrative Musical Legacy

In Nice Work If You Can Get It, Matthew Broderick plays Jimmy Winter, a New York playboy of the Prohibition era. The show is at the Imperial Theatre.
Joan Marcus Boneau/Bryan-Brown

Originally published on Fri April 27, 2012 6:24 am

In the 1920s, it wasn't uncommon for the Gershwin Brothers — composer George and lyricist Ira — to have two shows running on Broadway at the same time. What's surprising is that this season, 75 years after George's death, it's happening again, with Porgy and Bess and Nice Work If You Can Get It.

It's no coincidence: Both shows were generated by the Gershwin estates, the nieces, nephews, grandnieces and grandnephews charged with looking after a legacy that's not only highly loved, but immensely lucrative — a multimillion-dollar-a-year responsibility.

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Theater
3:12 pm
Wed April 18, 2012

London Smash 'Two Guvnors' Comes To Broadway

Adapted from The Servant of Two Masters, the new comedy One Man, Two Guvnors follows the "always famished and easily confused" Francis Henshall (James Corden, left), who must combat his own befuddlement while keeping both of his employers — a local gangster and criminal-in-hiding Stanley Stubbers (Oliver Chris) — from meeting.
Tristram Kenton

Originally published on Wed April 18, 2012 4:54 pm

If you weren't a college theater major, you can be forgiven for not knowing much about commedia dell'arte, the 500-year-old theatrical tradition that Carlo Goldoni used for his comedy The Servant of Two Masters in 1743. Contemporary playwright Richard Bean has adapted that play into the decidedly British laugh riot One Man, Two Guvnors -- and he says all you really need to know about commedia is ... well, it's funny.

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