John Powers

John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.

Powers covers film and politics for Vogue and Vogue.com. His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, The New York Times and L.A. Weekly, where he spent twelve years as a critic and columnist.

A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration.

He lives in Pasadena, California, with his wife, Sandi Tan.

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Movie Reviews
11:58 am
Fri March 29, 2013

Hunting For Secrets In 'The Shining's' Room 237

Rodney Ascher, director of the experimental documentary Room 237, leads an exploration of differing interpretations of Stanley Kubrick's classic horror film The Shining.
IFC Midnight

Originally published on Fri March 29, 2013 1:05 pm

Awhile back, I went to the Los Angeles County Museum of Art to see its show on filmmaker Stanley Kubrick. It was jammed with visitors poring over his letters, eyeing the dresses worn by the spooky twins in The Shining, and posing for photos in front of the sexy-futuristic decor of the Korova Milk Bar from A Clockwork Orange.

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Television
10:27 am
Tue March 19, 2013

A Measured Look At Roth As The Writer Turns 80

A new documentary about Philip Roth premieres on PBS next week as part of a slew of celebrations in honor of the novelist's 80th birthday.
PBS

Originally published on Tue March 19, 2013 1:11 pm

In Chinua Achebe's novel The Anthills of the Savannah, one of the characters says, "Poets don't give prescriptions. They give headaches."

The same is true of novelists, and none more so than Philip Roth. If any writer has ever enjoyed rattling people's skulls, it's this son of Newark, N.J., who's currently enjoying something of a victory lap in the media on the occasion of his 80th birthday. The celebration reaches its peak with a new documentary — Philip Roth Unmasked — that will screen on PBS next week as part of the American Masters series.

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Movie Reviews
12:40 pm
Wed February 20, 2013

Voting Pinochet Out Was More Than Just A Yes Or 'No'

Gael Garcia Bernal stars as an advertising man in Chile under Pinochet in the 2012 film No, which is nominated for Best Foreign Language Film at the upcoming Academy Awards.
Sony Pictures Classics

These days politics and advertising go hand in hand. Mayors stage photo ops. The Bush administration compared the Iraq war to rolling out a new product. And just last year, Barack Obama and Mitt Romney spent nearly a billion dollars running for president. If you're an American, such wall-to-wall marketing has come to seem a natural phenomenon, like Hurricane Sandy or LeBron James.

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Book Reviews
10:58 am
Wed February 6, 2013

A Mystery That Explores 'The Rage' Of New Ireland

Westbury iStockphoto.com

Originally published on Wed February 6, 2013 1:40 pm

The Irish novelist John McGahern once remarked that his country stayed a 19th-century society for so long that it nearly missed the 20th century. But in the mid-1990s, Ireland's economy took off, turning the country from a poor backwater into a so-called Celtic Tiger with fancy restaurants, chrome-clad shops and soaring real estate values. The country was transformed — until things came tumbling down during the 2008 financial crisis.

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Movies
2:44 pm
Wed December 5, 2012

Revisiting, Reappraising Cimino's 'Heaven's Gate'

Jeff Bridges as John L. Bridges, Isabelle Huppert as Ella Watson and Kris Kristofferson as James Averill in the 1980 Western Heaven's Gate, a director's cut of which was released in November.
Criterion Collection

Originally published on Fri December 7, 2012 8:38 am

The director Francois Truffaut once remarked that it takes as much time and energy to make a bad movie as to make a good one. He was right, but I would add one thing: It takes extraordinary effort to make a truly memorable flop.

The best example is Heaven's Gate, the hugely expensive 1980 movie by Michael Cimino that is the most famous cinematic disaster of my lifetime. It's part of that film's legend that it not only took down a studio, United Artists, but was the nail in the coffin of Hollywood's auteur filmmaking of the 1970s.

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