Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu March 28, 2013

'Retaliation': Harsh Payback For Poor G.I. Joe

Duke (Channing Tatum) and Roadblock (Dwayne Johnson) are live-action G.I. Joes in the big-screen franchise's latest thoroughly disposable installment.
Jaimie Trueblood Paramount Pictures

What's the difference between an action figure and an action star? Very little in G.I. Joe: Retaliation, which features no performances of note, even from such combat-tested thespians as Bruce Willis, Jonathan Pryce and Dwayne Johnson.

The sequel to 2009's G.I. Joe: The Rise of Cobra, the latest Joe is a near-surrealistic mashup of serious themes and juvenile humor, realistic locations and cheesy CGI. Adapted to 3-D after it was shot, the movie is also one of the most aggressive examples ever of the chucking-stuff-at-the-viewer aesthetic.

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Movie Reviews
4:03 pm
Thu March 21, 2013

'No Place On Earth': Underground, A Story Of Survival

Sam and Saul Stermer, members of a family who hid in an underground Ukrainian cave in the early days of World War II, return to the hideout in No Place on Earth.
Magnolia Pictures

Christopher Nicola, the avid spelunker who introduces No Place on Earth, has an appetite for the dramatic.

"Every cave I enter has a secret," he intones, as the documentary cuts between Nicola's New York City home and his progress through tight underground passages.

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Movie Reviews
4:03 pm
Thu March 21, 2013

A 'Devil' In The Details Of A Brotherly Rivalry

Brothers Rash and Mo (James Floyd and Fady Elsayed) live in the rough working-class London neighborhood of Hackney — but which sibling is the titular designee in My Brother the Devil gets harder and harder to determine as the film goes on.
108 Media

Shot entirely in Hackney — a mostly ungentrified London borough — My Brother the Devil has a strong odor of authenticity. The main characters are of Egyptian origin, but their friends include people rooted in West Africa and the Caribbean. All are linked by poverty, alienation and a gangsta worldview popularized by American movies and hip-hop.

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Movie Reviews
4:03 pm
Thu March 14, 2013

'Burt Wonderstone': Vegas, When The Magic Stops

Anton Marvelton (Steve Buscemi) and Burt Wonderstone (Steve Carell) are Vegas magicians whose gimmicky, vintage-style act is no match for their modern audiences.
Ben Glass Warner Bros. Pictures

There are some funny bits and characters around the edges of The Incredible Burt Wonderstone, but its core is empty of humor. In fact, this purported satire of Las Vegas magicians is a three-void circus: the script, the central character and the main performance.

The committee-written screenplay begins with the premise that, 20 years after the illusion-busting Penn and Teller set up in Vegas, there could still be a market for a pair of old-school tricksters who call themselves Burt Wonderstone and Anton Marvelton.

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Movie Reviews
4:00 pm
Thu March 7, 2013

Friendship Fades To Bleak 'Beyond The Hills'

As Voichita (Cosmina Stratan) settles into life as a Romanian Orthodox nun, her childhood friend Alina (Cristina Flutur) returns to try to draw her out of a life of deep religious piety.
Sundance Selects

The opening shot of Cristian Mungiu's Beyond the Hills may look somewhat familiar. As in the Romanian writer-director's previous film, 4 Months, 3 Weeks and 2 Days, a young woman strides purposefully while a handheld camera follows mere inches behind. She's on a mission to help a close friend, her resolve demonstrated by the way she marches against two lines of travelers who've just disembarked from a train.

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