Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu March 21, 2013

A 'Devil' In The Details Of A Brotherly Rivalry

Brothers Rash and Mo (James Floyd and Fady Elsayed) live in the rough working-class London neighborhood of Hackney — but which sibling is the titular designee in My Brother the Devil gets harder and harder to determine as the film goes on.
108 Media

Shot entirely in Hackney — a mostly ungentrified London borough — My Brother the Devil has a strong odor of authenticity. The main characters are of Egyptian origin, but their friends include people rooted in West Africa and the Caribbean. All are linked by poverty, alienation and a gangsta worldview popularized by American movies and hip-hop.

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Movie Reviews
4:03 pm
Thu March 14, 2013

'Burt Wonderstone': Vegas, When The Magic Stops

Anton Marvelton (Steve Buscemi) and Burt Wonderstone (Steve Carell) are Vegas magicians whose gimmicky, vintage-style act is no match for their modern audiences.
Ben Glass Warner Bros. Pictures

There are some funny bits and characters around the edges of The Incredible Burt Wonderstone, but its core is empty of humor. In fact, this purported satire of Las Vegas magicians is a three-void circus: the script, the central character and the main performance.

The committee-written screenplay begins with the premise that, 20 years after the illusion-busting Penn and Teller set up in Vegas, there could still be a market for a pair of old-school tricksters who call themselves Burt Wonderstone and Anton Marvelton.

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Movie Reviews
4:00 pm
Thu March 7, 2013

Friendship Fades To Bleak 'Beyond The Hills'

As Voichita (Cosmina Stratan) settles into life as a Romanian Orthodox nun, her childhood friend Alina (Cristina Flutur) returns to try to draw her out of a life of deep religious piety.
Sundance Selects

The opening shot of Cristian Mungiu's Beyond the Hills may look somewhat familiar. As in the Romanian writer-director's previous film, 4 Months, 3 Weeks and 2 Days, a young woman strides purposefully while a handheld camera follows mere inches behind. She's on a mission to help a close friend, her resolve demonstrated by the way she marches against two lines of travelers who've just disembarked from a train.

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Movie Reviews
5:02 pm
Tue March 5, 2013

'Dead Man Down': A Gang-War Drama That's Practically D.O.A.

Victor and Beatrice (Colin Farrell and Noomi Rapace) are two central cogs in the multiethnic New York City revenge war that rages throughout Dead Man Down.
John Baer FilmDistrict

Originally published on Fri March 8, 2013 11:17 am

Dead Man Down is the first American film from Niels Arden Oplev, director of the original Girl With the Dragon Tattoo, but it's not very American. This twisty existential thriller is set in a New York City that's as sun-deprived as Stockholm in January — and one in which nearly everyone speaks English as a second language.

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Movies
4:03 pm
Thu February 28, 2013

Soviet Ghosts Resurface In Soggy 'Phantom'

Grizzled Soviet submarine captain Demi (Ed Harris) fights crew subversion and personal pain in a losing Cold War struggle against American opponents.
RCR Distribution

Explosions rattle the crew. The air is turning fetid. And the captain has ordered a descent toward "crush depth." Yet everything is on course in Phantom, the newest model of the old submarine-from-hell picture.

But the predictability of writer-director Todd Robinson's film is, well, predictable. There are only so many things that can happen in the close quarters of an imperiled sub. What Robinson purports to do is show those familiar undersea events from a different vantage point. All the characters in Phantom serve in the Soviet navy of the 1960s.

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