Mark Jenkins

'The Square' Is Edgy

Oct 26, 2017

Life does not imitate art in Swedish writer-director Ruben Östlund's The Square. No, something much worse happens: Life imitates conceptual art.

The Square is the first Swedish movie to win the top prize at the Cannes Film Festival since 1992's The Best Intentions. That's ironic, since Östlund's often startling satire is about a man with the best of intentions: a contemporary-art museum director tellingly named Christian (Claes Bang). He's handsome, successful, and, of course, as insensitive and self-centered as the rest of us.

Todd Haynes may not have been at the top of anyone's list of potential kiddie-movie directors before Wonderstruck, but the movie does dovetail with several of the filmmaker's previous projects.

In the anxious years after World War II, crusaders for decency accused many comic books of promoting deviant behavior. In the case of Wonder Woman, at least, the bluenoses were entirely correct. Some of the vintage Wonder Woman panels reproduced in Professor Marston and the Wonder Women are seriously kinky.

That was intentional and, in a way, high-minded. Briefly a professor of psychology, Wonder Woman creator William Moulton Marston wanted to bring his DISC theory (Dominance, Inducement, Submission, Compliance) to the pubescent masses.

Director Hany Abu-Assad's film, which stars Kate Winslet, Idris Elba and a cute dog, is prettily shot but blandly predictable.

"The goddamn punks are running the country!"

That outraged remark, delivered by the upright protagonist of Mark Felt: The Man Who Brought Down the White House, might suggest to some viewers that the movie was made with one eye on the current White House. But that is an interpretation supported by only a few moments in the film, which wrapped production before the 2016 Republican National Convention.