Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu July 11, 2013

Adam Sandler, Insisting Again That He's A Really Great Guy

Improbably or not, Salma Hayek (left) and Adam Sandler (far right) are a couple again in Grown Ups 2. Billed as a comedy, the film also features Kevin James, Alexys Nicole Sanchez, Chris Rock, Maria Bello and David Spade, who in this scene are all pretending to laugh at something that in all likelihood involves poo.
Tracy Bennett Sony Pictures

Two decades ago, when stupid Hollywood comedies were relatively smart, they lampooned their own sequelitis with titles like Hot Shots! Part Deux. The genre has become less knowing since then, so the follow-up to 2010's Grown Ups is named simply Grown Ups 2.

Grown Ups Minus 2 would be more apt.

Like its predecessor, this is a vehicle for Adam Sandler, his pals and whatever they think they can get away with. That means some creepy sexual insinuations, if not so many as the first time.

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Movie Reviews
4:33 pm
Tue July 2, 2013

In Swinging '60s London, A Frisky 'Look Of Love'

The high life catches up with pop-culture impresario Paul Raymond (Steve Coogan, right) and his daughter Debbie (Imogen Poots) when nudie-mag editor Tony Power (Chris Addison) introduces them to drugs.
IFC

The fourth collaboration between actor Steve Coogan and director Michael Winterbottom is much like their first: Both The Look of Love and 2002's 24 Hour Party People are antic, self-conscious film bios about impresarios on the fringes of showbiz — soft porn and punk rock, respectively. But somehow the new movie, though it doesn't skimp on the nudity, the cocaine or the Britpop, is the blander of the two.

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Movie Reviews
4:00 pm
Thu June 27, 2013

In Vienna, A Gallery Of Hours That Add Up To Art

Bobby Sommer is Johann, an "invisible" Vienna museum guard who becomes profoundly connected to a frequent visitor after she starts to take notice of him.
Cinema Guild

During his 20-year career, Jem Cohen has shown his films in museum auditoriums more often than in commercial theaters. So it's fitting that Museum Hours, the arty documentarian's latest feature-length effort, is so indebted to Vienna's Kunsthistorisches Museum. Cohen likes to happen upon stories and images, and the 19th-century Austrian culture palace is brimming with both.

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Movie Reviews
4:04 pm
Thu June 13, 2013

'More Than Honey' Sees A World Without Bees

In More Than Honey, Attica Boa's striking close-up photography helps visualize a story whose urgency needs no amplification: With global honeybee populations threatened, the world's food supply could be seriously endangered.
Kino Lorber

An amiably shaggy combination of science lesson, whimsical musing and alarm bell, More Than Honey isn't as urgent as its eco-catastrophic subject — the possible destruction of the world's critically important honeybee populations — might seem to require. But the documentary's most memorable vignette is suitably unnerving: a visit to northern China, where the threatened disappearance of bees has already come to pass, leaving workers to pollinate fruit trees ... by hand.

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Movie Reviews
4:01 pm
Thu June 6, 2013

Resnais' Lively, Metatheatrical Look At Death

Sabine Azema (left) and Pierre Arditi are two of the veteran actors drawn into a convoluted retelling — and reimagining — of the Orpheus and Eurydice story in Alain Resnais' You Ain't Seen Nothin' Yet.
Kino Lorber

As a relatively young man, French director Alain Resnais made films about loss, remembrance and the ghosts of a recent history that included the Holocaust, Hiroshima and the brutal Franco-Algerian war. He was 89 when he directed his latest film, You Ain't Seen Nothin' Yet, which also considers the presence of the past. But the director's concern with real-life horrors has been replaced here by an outlook that's both playful and explicitly theatrical.

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