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Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton curates NPR Music's First Listen series, a weekly showcase of select albums you can read about and hear in their entirety before they're officially released.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as an interpreter for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is also a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and in films, including the documentary Open Secret. Hilton also arranged and performed the theme for NPR's Weekend All Things Considered. You can hear more of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

The War On Drugs is sharing its first new music since 2014's well-regarded Lost In The Dream. Clocking in at more than 11-minutes, "Thinking Of A Place" is both epic and wistful, with moody reflections and memories of a time gone by. And what do you know — it also includes some extended guitar shredding.

"Thinking Of A Place" will be a 45 RPM 12" release for Record Store Day this Saturday, April 22.

Roger Waters is set to release his first album of all-new rock songs in nearly 25 years. Is This The Life We Really Want? was produced by Nigel Godrich (Radiohead, Beck, U2) and is due out June 2 on Columbia Records. Water's previous solo studio release was 1992's Amused To Death.

The title track to Lana Del Rey's upcoming album Lust For Life is a hazy take on '60s doo-wop and girl groups featuring the lilting falsetto of The Weeknd.

So I took last Friday off to clean out my garage and ended up using the time to listen to the new Kendrick record, DAMN. over and over again. It was a glorious, uninterrupted stretch of several hours, but even that wasn't enough to really understand everything he covers on it. DAMN. is dense, packed with religious imagery, deep thoughts on race, fame and identity, and a whole lot of personal stories and memories. Those are some initial observations.

This is one of those things that's been on the Internet for a while and for whatever reason is only now making its way to my eyeballs. But now that I've seen it, I can't look away.

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