Scott Tobias

Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade. His reviews have also appeared in Time Out New York, City Pages, The Village Voice, The Nashville Scene, and The Hollywood Reporter. Along with other members of the A.V. Club staff, he co-authored the 2002 interview anthology The Tenacity Of the Cockroach and the new book Inventory, a collection of pop-culture lists.

Though Tobias received a formal education at the University Of Georgia and the University Of Miami, his film education was mostly extracurricular. As a child, he would draw pictures on strips of construction paper and run them through the slats on the saloon doors separating the dining room from the kitchen. As an undergraduate, he would rearrange his class schedule in order to spend long afternoons watching classic films on the 7th floor of the UGA library. He cut his teeth writing review for student newspapers (first review: a pan of the Burt Reynolds comedy Cop and a Half) and started freelancing for the A.V. Club in early 1999.

Tobias currently resides in Chicago, where he shares a too-small apartment with his wife, his daughter, two warring cats and the pug who agitates them.

The Academy Award for Best Animated Feature was introduced in 2001, and throughout its brief history, it's mostly been a mechanism through which to honor whatever Pixar does every year.

From the Department of Inessentiality, Summer Division, comes Men in Black 3, one of those franchises that lost all creative life in the first sequel but keep drawing breath anyway, thanks to an iron lung powered by a half-billion dollars in worldwide grosses.

Dustin Lance Black, the writer-director of the swampy Southern melodrama Virginia, won an Oscar for his script for Milk, but his new film has more in common with the three seasons he served as a writer, story editor and producer for the HBO series Big Love.

There's nothing like the intensity of young love, but that descriptor cuts in many ways at once. Feelings so pure and intoxicating can never be repeated, but they cannot be controlled, either, by the wisdom and maturity that enrich and sustain a relationship in the long term. Intensity can curdle just as quickly into jealousy, possessiveness and depression; when a heartsick teenager uses a phrase like "I'll die without him," adults may roll their eyes, but it's just barely a figure of speech.

Whenever a lead singer's star presence, whether through force of vision or excess of vanity, eclipses the collective unit of a rock band, the other members become — to quote the great Cameron Crowe rock odyssey Almost Famous — "the out-of-focus guys."

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