Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
7:03 am
Tue June 4, 2013

'Becoming Traviata': A Look At Opera From Behind The Curtain

Soprano Natalie Dessay, with tenor Charles Castonovo, in Philippe Béziat's documentary Becoming Traviata.
Distrib Films

It's easy to think of opera as little more than an affected flock of singers warbling onstage in lacy brocade with pancake makeup, chandeliers and champagne.

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Deceptive Cadence
5:03 am
Sat May 25, 2013

Leonard Bernstein's 'Rite of Spring' Thrill Ride

Leonard Bernstein leads the London Symphony Orchestra. He called Stravinsky's famously savage Rite of Spring "extremely tuneful and dancy, rhythmically seductive, beguiling."
Ian Showell Getty Images

If you think all the twitchy rhythms and random shards of melody flashing through Stravinsky's The Rite of Spring sound complicated, consider the poor musicians who have to learn it. And then there's the conductor, who needs to perfectly place every piccolo tweet and bass drum boom.

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Deceptive Cadence
1:41 pm
Fri May 24, 2013

The Cocktail Party Guide To Igor Stravinsky

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Don't be caught "Stravinsky deficient" as the big centennial of his Rite of Spring approaches.
Time & Life Pictures/Getty Images

Originally published on Fri May 24, 2013 3:21 pm

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Tiny Desk Concerts
7:35 am
Thu May 23, 2013

Imani Winds: Tiny Desk Concert

Imani Winds performs a Tiny Desk Concert in February 2013.
Marie McGrory NPR

Originally published on Fri June 13, 2014 8:49 am

Editor's note: We're sorry.The video has been removed from this page.

When Igor Stravinsky began composing The Rite of Spring, his ballet for vast symphonic forces, he could hear the music in his head but couldn't quite figure out how to write it down. It was just too complicated.

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Deceptive Cadence
11:08 am
Tue May 21, 2013

Gods And Monsters: 5 Unforgettable Wagner Moments

The Valkyries, led by Brunnhilde (soprano Debra Voigt, lower left), are the warrior maidens of Richard Wagner's epic Ring cycle.
Ken Howard Metropolitan Opera

Originally published on Wed May 22, 2013 3:02 pm

  • William Berger on 'Parsifal'
  • William Berger on 'Das Rheingold'
  • William Berger on 'Die Walküre'
  • William Berger on 'Tristan und Isolde'
  • William Berger on 'Die Meistersinger'

How much do you know about Richard Wagner? Probably two unfavorable facts: He wrote very long, grandiose operas and was Hitler's favorite composer. As true as they are, those simple examples barely hint at the complexity of this endlessly creative and confounding artist.

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