Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
8:34 am
Mon March 18, 2013

Marches Madness: Freshly Squeezed Oranges In 4/4 Time

For his zany opera The Love for Three Oranges, Prokofiev wrote a little march that made it big.
Alexey Stiop iStockphoto.com

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Deceptive Cadence
12:10 pm
Tue March 12, 2013

Tell Us: Are Ballet And Opera Elitist?

In an age when we are hearing more music than ever, are opera and ballet elitist?
Carolina K. Smith iStockphoto.com

It's a question virtually as old as the art forms themselves: Are ballet and opera elitist?

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Deceptive Cadence
8:51 am
Tue March 12, 2013

Marches Madness: Walk Like An Egyptian

Verdi's opera Aida, set in the time of the Pharaohs, is known for its extravagance, yet its "Triumphal March" is surprisingly simple.
iStockphoto.com

Elephants, Egyptian palaces, politics and love triangles — now we're talking grand opera!

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Deceptive Cadence
8:27 am
Thu March 7, 2013

Marches Madness: Off With His Head!

In Hector Berlioz's Symphonie Fantastique, he imagines his own march to the guillotine.
Rischgitz Getty Images

It's Marches Madness! Throughout this month, we're posting some of our favorite marches — from the concert hall, opera stage and parade ground. Got one we should hear? Played any yourself? Let us know in the comments section.

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Deceptive Cadence
12:55 pm
Tue March 5, 2013

'Funeral March of a Marionette': Puppet Music Promoted By Hitchcock

Charles Gounod's quirky march about marionettes found new life as the theme music to Alfred Hitchcock's suspense show on TV.
iStockphoto.com

Originally published on Wed March 6, 2013 2:17 pm

It's Marches Madness! Throughout this month, we're posting some of our favorite marches — from the concert hall, opera stage and parade ground. Got one we should hear? Played any yourself? Let us know in the comments section.

Read more

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